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PROMPT RECORD图像记录
一件纯粹的负空间模板喷漆艺术作品,绘制在一个扁平的 [DESKRIPSI ALAS/BACKGROUND] 平面上。一个高度抽象、混乱且严重降质的粗糙 [BENTUK OBJEK] 轮廓,仅通...
中文说明
一件纯粹的负空间模板喷漆艺术作品,绘制在一个扁平的 [DESKRIPSI ALAS/BACKGROUND] 平面上。一个高度抽象、混乱且严重降质的粗糙 [BENTUK OBJEK] 轮廓,仅通过极具侵略性地喷涂 [WARNA PILOX UTAMA] 和 [WARNA PILOX AKSEN] 喷漆来创造。至关重要的是,画面中绝对没有任何实体的、三维的或金属质感的钉子。喷漆区域被成千上万个密集堆叠、相互重叠且极度混乱的未喷漆、空白的小五金钉负空间轮廓强烈打断。这营造出这样一种错觉:一大堆凌乱的、随机散落的钉子被粗暴地倾倒以粗略地构成主体,然后被强烈地喷漆覆盖,最后又被完全移除。轮廓绝对不能精确地描摹或勾勒出物体的外形;它应该是严重扭曲、碎片化的,并构成一个纯粹的抽象艺术组合。物体的边缘应溶解为混乱的喷漆飞溅和散...
原始 Prompt
A purely negative-space stencil spray paint artwork on a flat [DESKRIPSI ALAS/BACKGROUND] surface. The highly abstract, chaotic, and heavily degraded rough silhouette of a [BENTUK OBJEK] is created EXCLUSIVELY by an aggressive application of [WARNA PILOX UTAMA] and [WARNA PILOX AKSEN] spray paint. Crucially, there are ABSOLUTELY NO physical, 3D, or metallic nails present. The painted area is intensely interrupted by THOUSANDS of densely packed, overlapping, and highly chaotic unpainted, blank negative-space silhouettes of small hardware nails. This creates the illusion that a massive, messy, random pile of scattered nails was forcefully dumped to roughly form the subject, strongly spray-painted over, and then completely removed. The silhouette must NOT perfectly trace or outline the object; it should be heavily distorted, fragmented, and form a purely abstract art composition. The edges of the subject should dissolve into chaotic paint splatters and scattered empty nail voids. Raw, messy street art stencil aesthetic. 8k, abstract masterpiece. --no physical nails, 3d nails, metallic textures, perfect outlines, exact tracing, realistic proportions, neat arrangement, continuous solid paint fills, standard drawing --ar 16:9
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