PROMPT RECORD图像记录

AI 踩坑指南 👇 Seedance 2.5：1 次渲染约 $3.70 用专属参考图锁死场景。让模型自己搭建背景的话，它每条剪辑都会重建整个房间：窗户会漂移，墙体会变化，舱口在每个镜头里都会变...

Seedance 2.5 alessia_orbit Sun Sep 20 18:59:34 +0000 2026

AI pitfalls 👇

Seedance 2.5: 1 render ~$3.70

Lock the set with its own reference image. Let the model build the background and it rebuilds the room every cut: windows drift, walls change, a hatch reshapes itself shot to shot. Learned that the hard way before, so this time we generated one separate image of the empty set and fed it as its own reference: "match it exactly, never redraw the set." The station stayed identical in every shot.

The model doesn't remember your background. Give it a picture to copy.

Prompt 👇

10-second, 16:9 landscape, hyper-realistic live-action short. A young woman, Alessia, drifts through a space station module in microgravity, reaches a cupola observation dome, and sees Earth below. Use @character as her locked visual identity - preserve her face, body proportions and outfit exactly across every shot, never reinterpret or let her face turn generic. Matte natural skin. Use @cupola as the locked environment - the module interior and the cupola dome match it exactly across every shot, same walls, same dome, same Earth beyond the glass, never redraw or reinterpret the set.
HAIR: warm chestnut brown hair worn loose and shoulder-length, floating and lifting weightlessly in microgravity, strands drifting slowly and softly around her face the whole time, never falling flat as if under gravity.
OUTFIT (identical every frame): a fitted deep slate-blue technical loungewear set, station-issue - a slim-fit long-sleeve top in smooth matte technical knit following her frame cleanly, raglan shoulder seams, a single thin pale cool-grey trim line at the cuffs and collar as the only accent, and matching slim-fit long knit pants. Thick smooth lined fabric, fully opaque with a smooth even front surface and no protruding detail, no branding, no logos, no glow, no LED.
She is a calm trained operator, deliberate and economical in every movement, never a panicking or struggling person. Her body carries a relaxed weightless neutral posture throughout - shoulders slightly raised, limbs loosely drawn in and softly bent, never rigidly straight, never a stiff diving arrow shape, the natural resting float of a real body in microgravity.
DIRECTION LOCK: she always travels toward the same side of frame, drifting rightward and forward toward the cupola. Her direction of travel never reverses across any cut. When the camera moves in front of her it has circled around to face her while she still advances toward the cupola - she never turns back, never doubles back, the 180-degree line is held across every shot.
Interior of a modern space station per @cupola: clean minimal architecture, smooth matte pale-white curved module walls, recessed lighting, hidden cabling, handrails along the walls, uncluttered, leading to the rounded multi-window cupola dome at the end. Beyond the dome the curved edge of planet Earth glows enormous and blue below - deep blue oceans, white cloud swirls, the thin bright atmosphere line against black space. Earth is the single colossal object dominating the view, dwarfing her to the only human-scale reference in frame.
One single motivated light source only: the cold blue-white light of Earth and sunlight spilling in through the cupola glass. Her face is lit only by this cold Earth-glow, hard natural chiaroscuro, deep shadows through the module interior, face not specially lit, shadows stay dark, do not fill. No studio light, no beauty light, no rim light, no god-rays.
The slowness is real microgravity physics, never slow motion or speed ramp: her body carries genuine weightless inertia, her loose hair and clothing drift with the movement and settle a beat late, everything floats and glides. Real-time speed, only weightlessness makes it slow. Multi-camera coverage: shallow-depth handheld close, wide side tracking, over-the-shoulder approach, long-lens push-in. Raw in-camera documentary look, soft early-HD image, mild grain, slight TV compression. One continuous module, one continuous event, each cut picking up exactly where the last left off.
0-2.5s | SHALLOW-DEPTH HANDHELD CLOSE-UP, the module blurred soft behind her, slight organic handheld drift: her face fills the frame, loose hair floating and fanning weightlessly around her, one hand already mid-motion sweeping a drifting strand back from her cheek, her eyes flicking to the lens then away, calm and unhurried. The face-lock beat - only her, sharp against the soft blurred interior, held long enough to read her face clearly.
2.5-5.5s | WIDE SIDE TRACKING, pure lateral profile: she pushes off a handrail and glides forward through the module, her whole body oriented horizontally along her line of travel toward the cupola, not standing upright, floating lengthwise through the space in a relaxed neutral posture, hair and loose strands streaming slowly behind with the inertia, clothing shifting a beat late, the pale module walls sliding past and Earth's blue glow beginning to wash in from the far end ahead of her.
5.5-8s | OVER-THE-SHOULDER from behind as she reaches the dome, then the camera circles to a MEDIUM SIDE angle in front of her: one hand catches the rim of the cupola and arrests her drift, her body swinging gently around the grip and settling to a soft stop at the glass, still facing the dome. The camera continues to a WIDE REVERSE from inside the dome looking back at her: Earth fills the windows below and around her, the vast curved blue planet with slow cloud swirls and the glowing atmosphere line, her small floating figure the only scale against the enormous mass, immense negative space around her.
8-10s | LONG-LENS TIGHT on her face, lit only by the cold blue Earth-glow, her expression settling into quiet genuine awe - eyes wide and still, lips barely parted, no smile, the overview-effect moment landing on her face as pure stillness. The camera pushes slowly and physically inward toward her eyes and nose, her face staying fully recognizable, until a small curved reflection of blue Earth is caught glinting in her eye. Hold on her eyes as the final frame, real and understated.
Every beat shows clear physical cause and weightless response. Single continuous real-time take, cuts decisive and clean.
AUDIO: all sound captured in-camera by a single handheld camera, raw and real, never a studio mix, never dubbed, no cinematic sound design, no sci-fi ambience, no dramatic hollow space silence. Only the real mechanical sound of the station air-circulation and ventilation fans running, the faint airflow, her quiet steady breathing, the soft rustle of her drifting hair and clothing, and one muffled dull contact when her hand meets the cupola rim. A close, dry, enclosed-cabin soundfield - sounds are near and slightly muffled, not spacious or reverberant. The slow push-in on her eyes falls to near-silence, just her breath. No music, no BGM, no score of any kind, kept low and real.
Avoid: subtitles, text, watermark, dark and unreadable, anime, 3D-CG render look, plastic skin, over-beautifying, studio beauty light, dramatic god-ray beams, spacewalk suit, helmet, full-face mask, panicking, struggling for air, distress, thrashing, rigid straight diving posture, standing upright while floating, floating debris clutter, hair falling flat under gravity, direction reversal, turning back, music, BGM, score, sci-fi ambience, cinematic sound design, hollow reverb, crowd, commentary, dialogue, spoken lines, slow motion, speed ramp, freeze, rack focus, focus pull, effect sound, boom.

AI 踩坑指南 👇 Seedance 2.5：1 次渲染约 $3.70 用专属参考图锁死场景。让模型自己搭建背景的话，它每条剪辑都会重建整个房间：窗户会漂移，墙体会变化，舱口在每个镜头里都会变形。之前就吃过这个亏，所以这次我们单独生成一张空置场景的图，作为它自己的参考输入：“完全匹配，绝不要重画场景。”结果空间站在每个镜头里都保持了一模一样。 模型记不住你的背景。给它一张图去照抄。 Prompt 👇 10 秒、16:9 横构图、超写实真人短片。年轻女性 Alessia 在微重力中飘行穿过一座空间站舱段，抵达一个穹顶观察舱，透过穹顶玻璃看见下方的地球。使用 @character 作为她锁定的视觉身份——在每一个镜头中精确保留她的面部、身材比例和服装，绝不能重新诠释，也不能让她的脸变得大众化。哑光自然肌肤。使用 @...

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AI 踩坑指南 👇 Seedance 2.5：1 次渲染约 $3.70 用专属参考图锁死场景。让模型自己搭建背景的话，它每条剪辑都会重建整个房间：窗户会漂移，墙体会变化，舱口在每个镜头里都会变形。之前就吃过这个亏，所以这次我们单独生成一张空置场景的图，作为它自己的参考输入：“完全匹配，绝不要重画场景。”结果空间站在每个镜头里都保持了一模一样。模型记不住你的背景。给它一张图去照抄。 Prompt 👇 10 秒、16:9 横构图、超写实真人短片。年轻女性 Alessia 在微重力中飘行穿过一座空间站舱段，抵达一个穹顶观察舱，透过穹顶玻璃看见下方的地球。使用 @character 作为她锁定的视觉身份——在每一个镜头中精确保留她的面部、身材比例和服装，绝不能重新诠释，也不能让她的脸变得大众化。哑光自然肌肤。使用 @...

原始 Prompt

AI pitfalls 👇

Seedance 2.5: 1 render ~$3.70

Lock the set with its own reference image. Let the model build the background and it rebuilds the room every cut: windows drift, walls change, a hatch reshapes itself shot to shot. Learned that the hard way before, so this time we generated one separate image of the empty set and fed it as its own reference: "match it exactly, never redraw the set." The station stayed identical in every shot.

The model doesn't remember your background. Give it a picture to copy.

Prompt 👇

10-second, 16:9 landscape, hyper-realistic live-action short. A young woman, Alessia, drifts through a space station module in microgravity, reaches a cupola observation dome, and sees Earth below. Use @character as her locked visual identity - preserve her face, body proportions and outfit exactly across every shot, never reinterpret or let her face turn generic. Matte natural skin. Use @cupola as the locked environment - the module interior and the cupola dome match it exactly across every shot, same walls, same dome, same Earth beyond the glass, never redraw or reinterpret the set.
HAIR: warm chestnut brown hair worn loose and shoulder-length, floating and lifting weightlessly in microgravity, strands drifting slowly and softly around her face the whole time, never falling flat as if under gravity.
OUTFIT (identical every frame): a fitted deep slate-blue technical loungewear set, station-issue - a slim-fit long-sleeve top in smooth matte technical knit following her frame cleanly, raglan shoulder seams, a single thin pale cool-grey trim line at the cuffs and collar as the only accent, and matching slim-fit long knit pants. Thick smooth lined fabric, fully opaque with a smooth even front surface and no protruding detail, no branding, no logos, no glow, no LED.
She is a calm trained operator, deliberate and economical in every movement, never a panicking or struggling person. Her body carries a relaxed weightless neutral posture throughout - shoulders slightly raised, limbs loosely drawn in and softly bent, never rigidly straight, never a stiff diving arrow shape, the natural resting float of a real body in microgravity.
DIRECTION LOCK: she always travels toward the same side of frame, drifting rightward and forward toward the cupola. Her direction of travel never reverses across any cut. When the camera moves in front of her it has circled around to face her while she still advances toward the cupola - she never turns back, never doubles back, the 180-degree line is held across every shot.
Interior of a modern space station per @cupola: clean minimal architecture, smooth matte pale-white curved module walls, recessed lighting, hidden cabling, handrails along the walls, uncluttered, leading to the rounded multi-window cupola dome at the end. Beyond the dome the curved edge of planet Earth glows enormous and blue below - deep blue oceans, white cloud swirls, the thin bright atmosphere line against black space. Earth is the single colossal object dominating the view, dwarfing her to the only human-scale reference in frame.
One single motivated light source only: the cold blue-white light of Earth and sunlight spilling in through the cupola glass. Her face is lit only by this cold Earth-glow, hard natural chiaroscuro, deep shadows through the module interior, face not specially lit, shadows stay dark, do not fill. No studio light, no beauty light, no rim light, no god-rays.
The slowness is real microgravity physics, never slow motion or speed ramp: her body carries genuine weightless inertia, her loose hair and clothing drift with the movement and settle a beat late, everything floats and glides. Real-time speed, only weightlessness makes it slow. Multi-camera coverage: shallow-depth handheld close, wide side tracking, over-the-shoulder approach, long-lens push-in. Raw in-camera documentary look, soft early-HD image, mild grain, slight TV compression. One continuous module, one continuous event, each cut picking up exactly where the last left off.
0-2.5s | SHALLOW-DEPTH HANDHELD CLOSE-UP, the module blurred soft behind her, slight organic handheld drift: her face fills the frame, loose hair floating and fanning weightlessly around her, one hand already mid-motion sweeping a drifting strand back from her cheek, her eyes flicking to the lens then away, calm and unhurried. The face-lock beat - only her, sharp against the soft blurred interior, held long enough to read her face clearly.
2.5-5.5s | WIDE SIDE TRACKING, pure lateral profile: she pushes off a handrail and glides forward through the module, her whole body oriented horizontally along her line of travel toward the cupola, not standing upright, floating lengthwise through the space in a relaxed neutral posture, hair and loose strands streaming slowly behind with the inertia, clothing shifting a beat late, the pale module walls sliding past and Earth's blue glow beginning to wash in from the far end ahead of her.
5.5-8s | OVER-THE-SHOULDER from behind as she reaches the dome, then the camera circles to a MEDIUM SIDE angle in front of her: one hand catches the rim of the cupola and arrests her drift, her body swinging gently around the grip and settling to a soft stop at the glass, still facing the dome. The camera continues to a WIDE REVERSE from inside the dome looking back at her: Earth fills the windows below and around her, the vast curved blue planet with slow cloud swirls and the glowing atmosphere line, her small floating figure the only scale against the enormous mass, immense negative space around her.
8-10s | LONG-LENS TIGHT on her face, lit only by the cold blue Earth-glow, her expression settling into quiet genuine awe - eyes wide and still, lips barely parted, no smile, the overview-effect moment landing on her face as pure stillness. The camera pushes slowly and physically inward toward her eyes and nose, her face staying fully recognizable, until a small curved reflection of blue Earth is caught glinting in her eye. Hold on her eyes as the final frame, real and understated.
Every beat shows clear physical cause and weightless response. Single continuous real-time take, cuts decisive and clean.
AUDIO: all sound captured in-camera by a single handheld camera, raw and real, never a studio mix, never dubbed, no cinematic sound design, no sci-fi ambience, no dramatic hollow space silence. Only the real mechanical sound of the station air-circulation and ventilation fans running, the faint airflow, her quiet steady breathing, the soft rustle of her drifting hair and clothing, and one muffled dull contact when her hand meets the cupola rim. A close, dry, enclosed-cabin soundfield - sounds are near and slightly muffled, not spacious or reverberant. The slow push-in on her eyes falls to near-silence, just her breath. No music, no BGM, no score of any kind, kept low and real.
Avoid: subtitles, text, watermark, dark and unreadable, anime, 3D-CG render look, plastic skin, over-beautifying, studio beauty light, dramatic god-ray beams, spacewalk suit, helmet, full-face mask, panicking, struggling for air, distress, thrashing, rigid straight diving posture, standing upright while floating, floating debris clutter, hair falling flat under gravity, direction reversal, turning back, music, BGM, score, sci-fi ambience, cinematic sound design, hollow reverb, crowd, commentary, dialogue, spoken lines, slow motion, speed ramp, freeze, rack focus, focus pull, effect sound, boom.

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