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PROMPT RECORD图像记录
仅仅把一张图片称为电影感是不够的。 这个词本身太过模糊。 在我看来,只有当提示词回答了制作层面的问题时,电影感模式才算真正开始起作用: 1. 镜头距离是什么? 近距离特写、中景、广角建立镜头?...
中文说明
仅仅把一张图片称为电影感是不够的。 这个词本身太过模糊。 在我看来,只有当提示词回答了制作层面的问题时,电影感模式才算真正开始起作用: 1. 镜头距离是什么? 近距离特写、中景、广角建立镜头? 2. 主体材质是什么? 磨损的金属、厚重的棉布、开裂的皮革、蒙尘的玻璃、上漆的塑料? 3. 光源来自哪里? 窗户、落日、机库灯、霓虹面板、火光、天空的反射? 4. 什么能体现尺度? 一个人、门洞、车辆、手掌、桌子、地平线、地板阴影? 5. 什么让世界显得被使用过? 划痕、灰尘、织物褶皱、指纹、剥落的漆面、修补过的部件? 6. 哪些部分应该保持安静? 并不是每个角落都需要细节,眼睛需要一处可以休息的地方。 这才是我在意的差别。 不是把电影感当作一个风格词。 而是把它当作一系列具体的物理决策。 图片 1:近距离特写 图片 2...
原始 Prompt
Calling an image cinematic is not enough.
That word is too vague by itself.
For me, Cinematic Mode only starts working when the prompt answers production questions:
1. What is the camera distance?
Close portrait, medium shot, wide establishing shot?
2. What is the main material?
Worn metal, heavy cotton, cracked leather, dusty glass, painted plastic?
3. Where does the light come from?
Window, sunset, hangar lamp, neon panel, fire, reflected sky?
4. What proves scale?
A person, doorway, vehicle, hand, table, horizon, floor shadow?
5. What makes the world feel used?
Scratches, dust, fabric folds, fingerprints, chipped paint, repaired parts?
6. What should stay quiet?
Not every corner needs detail. The eye needs somewhere to rest.
That is the difference I care about.
Not cinematic as a style word.
Cinematic as a set of physical decisions.
Image 1: Close Portrait
Image 2: Medium Shot
Image 3: Wide Establishing Shot
Ask, if you want the prompts. 💛
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