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ciudad de méxico como un cartel de cine de los 80 que nunca existió. el zócalo, la catedral, el...

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ciudad de méxico como un cartel de cine de los 80 que nunca existió. el zócalo, la catedral, el popocatépetl humeando al fondo. me quedé parado mirándola más de lo que debería. ¿qué ciudad quieres ver así? la siguiente sale de los comentarios. gpt image 2. prompt 👇 { "schema": "city_poster_80s_photoreal_v2", "version": "2.0", "description": "Universal templa...

原始 Prompt

ciudad de méxico como un cartel de cine de los 80 que nunca existió.

el zócalo, la catedral, el popocatépetl humeando al fondo.
me quedé parado mirándola más de lo que debería.

¿qué ciudad quieres ver así? la siguiente sale de los comentarios.

gpt image 2.

prompt 👇

{
  "schema": "city_poster_80s_photoreal_v2",
  "version": "2.0",
  "description": "Universal template for a fictional 80s movie poster — cinematic photoreal register. Single variable input [CIUDAD], [PAIS]. Extraction logic embedded inline in the prompt_template: the AI resolves all city-specific visual data on generation without a separate step. City name appears as primary typographic element.",

  "input": {
    "ciudad": "[CIUDAD]",
    "pais": "[PAIS]"
  },

  "ai_extraction_protocol": {
    "instruction": "Reference only. The prompt_template below is self-contained — each [DERIVE:] block instructs inline resolution from city knowledge. Do not invent. Use the most globally recognized version of each element.",
    "fields": {
      "landmark_principal": "The single most iconic architectural structure of [CIUDAD] — the one image that signals this city and no other. Name it, describe its silhouette, material, and scale.",
      "espacio_publico_emblematico": "The most famous public square, avenue, or gathering space. Describe paving material, dimensions, and what flanks it.",
      "elemento_natural_de_fondo": "Any iconic natural element visible from or associated with [CIUDAD]: mountains, volcano, river, bay, harbor, desert. If none, use urban haze and open horizon.",
      "paleta_cromatica_identitaria": "4–5 colors that emotionally and architecturally define [CIUDAD]: dominant building materials, light quality, cultural associations, night atmosphere.",
      "luz_caracteristica_7pm": "The specific quality of light in [CIUDAD] at 7pm. Consider: latitude, altitude, climate, atmospheric particulate, color temperature of last sun, when lamps activate.",
      "registro_emocional": "The emotional register and cultural mythology of [CIUDAD] — ancient and imperial, melancholic and industrial, dangerous and electric, romantic and decadent.",
      "titulo_de_pelicula": "A fictional 80s movie title in English or Spanish that captures the city's register WITHOUT using the city name. It implies the city through atmosphere, not geography.",
      "tagline": "One atmospheric tagline, 80s marketing style — punchy, slightly ominous, 8–12 words.",
      "tipografia_identitaria": "Typographic register fitting this city's cultural DNA: chrome imperial serif / brutalist slab / art deco italic / neon condensed.",
      "credito_director_ficticio": "A fictional director name period-correct for this country's national cinema tradition."
    }
  },

  "prompt_template": "A cinematic photorealistic 80s movie poster shot on location in [CIUDAD], [PAIS]. Not painted — a real place, real light, real architecture. Photographed on 35mm anamorphic, color graded in the warm-teal-violet register of 1980s Hollywood location cinematography.\n\nLOCATION AND COMPOSITION: Low-angle perspective from street level in [DERIVE from your knowledge of [CIUDAD], [PAIS]: the most emblematic public space — its paving material, scale, what iconic structures flank it]. Foreground: the ground surface — wet or slightly reflective, catching the sky palette. Three to five anonymous human silhouettes in the foreground, small against the architecture, no identifiable faces. Mid-ground: [DERIVE from your knowledge of [CIUDAD], [PAIS]: the single most iconic landmark — its silhouette, material, height, architectural style, how it reads backlit at dusk] rising backlit, architectural detail visible only at its rim-lit edges. Far background: [DERIVE from your knowledge of [CIUDAD], [PAIS]: any iconic natural element — mountain range, volcano, bay, river, or urban haze and open horizon if none exists] emerging from atmospheric haze.\n\nLIGHT: [DERIVE from your knowledge of [CIUDAD], [PAIS]: the exact quality of light at 7pm — latitude, altitude, climate, atmospheric conditions, the specific color temperature of the last sun, when street lamps activate, how the air handles light at this geography]. Sky transitions from saturated amber-gold at the horizon to prussian violet-blue overhead. Long diagonal shadows across the foreground. Street lamps and practical lights activating in the mid-ground with their characteristic halo color. The air has visible density: humidity, particulate, altitude haze, or sea mist as appropriate to this city.\n\nCOLOR GRADE: [DERIVE from your knowledge of [CIUDAD], [PAIS]: 4–5 colors that define this city's visual and emotional identity — dominant building material tones, characteristic light quality, cultural color associations, how the city's night atmosphere reads]. Applied as a cinematic color grade: shadows pushed deep violet, highlights held warm amber, midtones carrying the city's characteristic palette. Kodak 5293 35mm film grain throughout. Halation blooms on all practical light sources. Slight color temperature tension between sodium street lamps and the ambient violet sky — characteristic of mixed-lighting 80s location cinematography.\n\nTYPOGRAPHY — PRIMARY (CITY NAME): '[CIUDAD]' rendered in [DERIVE from your knowledge of [CIUDAD], [PAIS]: the typographic register that fits this city's cultural DNA — imperial serif for ancient capitals, brutalist slab for industrial cities, art deco italic for golden-era cities, neon condensed for port cities] — large, occupying the upper quarter of the poster, CHROME METALLIC treatment, deep bevel cut, warm amber rim light on the upper edges, prussian violet drop shadow beneath. The city's name as a title that needs no explanation.\n\nTYPOGRAPHY — SECONDARY (MOVIE TITLE): '[DERIVE from your knowledge of [CIUDAD], [PAIS]: a fictional 80s movie title that captures this city's emotional register without using the city name — implying it through atmosphere, not geography]' — positioned immediately below the city name, smaller, condensed italic, warm white with subtle chrome sheen. Acts as the city's character distilled into a title.\n\nTYPOGRAPHY — TAGLINE: '[DERIVE from your knowledge of [CIUDAD], [PAIS]: one atmospheric 80s-style tagline, 8–12 words, punchy and slightly ominous]' — below the movie title in white condensed italic.\n\nTYPOGRAPHY — CREDIT BLOCK: At the very bottom — horizontal credit block in white 8pt Helvetica Condensed: four invented actor names plausible for this country's cinema, 'Directed by [DERIVE: a fictional director name period-correct for this country's national cinema tradition]', vintage distributor logo placeholder, MPAA-style rating box, 'SUMMER 198X'.\n\nPHOTOGRAPHIC FINISH: 35mm anamorphic, 2.39:1 natural crop letterboxed into 2:3 portrait format — black bands at top and bottom carry the typography. Visible film grain. Halation on practical light sources. NOT a painting. NOT an illustration. A real place, caught at a specific unrepeatable moment of light.",

  "negative_prompt": "painted illustration, airbrush texture, drawing, CGI render, 3D, modern flat design, vector, photobash composite, contemporary color grading, minimalist, corporate, stock photo aesthetic, identifiable real faces, tourist postcard mood, uniform studio lighting, watercolor, oil painting, anime, manga, artificial sky gradient, HDR over-processed",

  "style_block": {
    "technique": "cinematic_photoreal_80s_location_poster",
    "cinematographic_references": ["Vilmos Zsigmond", "Haskell Wexler", "Jordan Cronenweth", "Owen Roizman"],
    "film_stock": "Kodak 5293 — 35mm anamorphic",
    "color_grade": "warm amber highlights / prussian violet shadows / city-characteristic midtone palette",
    "print_simulation": "matte poster paper, halation bleed at light sources, warm paper tone"
  },

  "technical_specs": {
    "aspect_ratio": "2:3",
    "orientation": "vertical portrait",
    "resolution_intent": "print quality"
  },

  "resolved_example": {
    "input": {
      "ciudad": "Ciudad de México",
      "pais": "México"
    },
    "resolved_prompt": "A cinematic photorealistic 80s movie poster shot on location in Ciudad de México, México. Not painted — a real place, real light, real architecture. Photographed on 35mm anamorphic, color graded in the warm-teal-violet register of 1980s Hollywood location cinematography.\n\nLOCATION AND COMPOSITION: Low-angle perspective from street level on the Zócalo — the Plaza de la Constitución, black volcanic basalt paving stretching 240 meters in every direction, flanked to the north by the Catedral Metropolitana and to the east by the long red arcade of the Palacio Nacional. Foreground: wet volcanic basalt paving reflecting the amber-violet sky in broken mirror light. Three anonymous human silhouettes cross the plaza — small against the Cathedral scale, no identifiable faces. Mid-ground: the Catedral Metropolitana rises backlit — twin baroque towers in carved volcanic grey stone, 67 meters high, silhouetted against the last amber band of sky, architectural detail visible only at the rim-lit edges of the towers and cornice. The central clock face barely illuminated. Far background: Popocatépetl and Iztaccíhuatl emerge from the photochemical haze at the exact horizon — the active volcano emitting a thin thread of white-grey smoke into the poster sky, both snowcaps catching the final pink-gold alpenglow before dark.\n\nLIGHT: Mexico City, autumn, 7pm. At 2,240m altitude the sun drops fast below the western volcanic ring, leaving a hyper-saturated amber band 15 degrees above the horizon. The upper sky transitions to prussian violet-blue within minutes — altitude intensifying contrast and saturation. The Catedral and Palacio are backlit, dark stone silhouettes with amber rim light on their edges. Street lamps activate across the Zócalo — sodium amber haloes in the mid-ground. Long diagonal shadows from the Cathedral towers cross the black paving. Ground-level air carries photochemical amber haze; upper atmosphere is clear violet. The volcanoes hold pink-orange alpenglow on their snowcaps for the last 8 minutes before full dark.\n\nCOLOR GRADE: Volcanic grey-black paving pushed to deep blue-violet in shadow / ochre-terracotta of colonial limestone façades in warm amber direct light / prussian violet-blue sky / sodium amber lamp haloes in mid-ground / pink-gold alpenglow on volcano snowcaps / thread of Mexican flag green from the Zócalo flagpole. Applied as a cinematic color grade: shadows deep violet, highlights amber, midtones carrying the volcanic and colonial palette. Kodak 5293 grain throughout. Halation blooms on every sodium lamp source. Tension between the warm sodium and the cold violet sky.\n\nTYPOGRAPHY — PRIMARY (CITY NAME): 'CIUDAD DE MÉXICO' in imperial chrome serif with pre-Columbian geometric tension at the stroke terminals — Trajan proportions, angular Aztec pressure in the letterforms — large, occupying the upper quarter of the poster, CHROME METALLIC, deep bevel cut, warm amber rim light on upper edges, prussian violet drop shadow.\n\nTYPOGRAPHY — SECONDARY (MOVIE TITLE): 'EL ÚLTIMO IMPERIO' — immediately below the city name, smaller, condensed italic, warm white with subtle chrome sheen.\n\nTYPOGRAPHY — TAGLINE: 'Twenty million souls. One city. No escape.' — white condensed italic below the movie title.\n\nTYPOGRAPHY — CREDIT BLOCK: Jorge Campos · Elena Rivas · Marcos Salinas · Ana Durán — 'Directed by Jorge Fonseca Villanueva' — distributor logo placeholder — 'R' rating box — 'SUMMER 1987'.\n\nPHOTOGRAPHIC FINISH: 35mm anamorphic, 2.39:1 crop letterboxed into 2:3 portrait. Black bands at top and bottom carry typography. Visible film grain. Halation on sodium lamps. Not a painting — a real place at a specific unrepeatable moment of light."
  }
}