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为[New York](纽约)制作一张 3:2 高端 3D 字体主题旅行海报,融合奢侈品编辑级目的地广告风格与逼真的雕刻式字母造型建筑美学。 城市名称“[New York]”必须是画面的绝对主...

GPT-Image-2 Sheldon056 Sun May 24 15:02:20 +0000 2026
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为[New York](纽约)制作一张 3:2 高端 3D 字体主题旅行海报,融合奢侈品编辑级目的地广告风格与逼真的雕刻式字母造型建筑美学。 城市名称“[New York]”必须是画面的绝对主体,占据画布的大部分空间。将字母构建为巨大、逼真的三维雕塑造型,使用光面漆面材质、抛光陶瓷、柔和石膏、雕刻石材、阳光下的建筑表面或与城市契合的材质。每一个字母都应在物理形态上转化为该城市的身份象征:地标建筑、天际线轮廓、拱门、高塔、穹顶、桥梁、窗户、阳台、文化纹样、滨海形态或街景细节,必须直接从字母造型中生长出来。 地标应当与字母建筑式地融为一体,而非粘贴在文字后方或周围。高塔可从垂直笔画中升起,桥梁可连接两个字母,穹顶可构成圆润字母的弧线,屋顶可塑造字母的顶部边缘,窗户或装饰细节可嵌入字母面体之中。 采用低角度四分之三视...

原始 Prompt

Create a 3:2 premium 3D typography-based travel poster for [New York], using luxury editorial destination advertising fused with realistic sculptural letterform architecture.

The city name “[New York]” must be the dominant subject, occupying most of the canvas. Build the letters as large, realistic, three-dimensional sculptural forms made from glossy painted material, polished ceramic, soft plaster, carved stone, sunlit architectural surfaces, or city-adaptive materials. Each letter should physically transform into the city’s identity: landmarks, skyline silhouettes, arches, towers, domes, bridges, windows, balconies, cultural patterns, coastal forms, or street details must grow directly out of the letterforms.

Landmarks should feel architecturally integrated, not pasted behind or around the word. A tower may rise from a vertical stem, a bridge may connect two letters, a dome may form the curve of a rounded letter, rooftops may shape the top edges, and windows or ornamental details may be embedded into the letter faces.

Use a low-angle three-quarter camera view so the typography feels monumental, cinematic, premium, and friendly. Place the 3D city-name sculpture slightly low in the frame, filling the central and lower portions of the poster, with generous negative space above.

At the top header, add a refined horizontal row of faded landmark symbols related to the city: tiny vector icons, or translucent architectural glyphs. Keep them very soft, elegant, and secondary, like premium magazine header details.  Add each landmark name below its icon. Keep all faded and premium.

Remove any visible sun from the top-left corner. Use bright natural daylight with a soft key light from the upper-left, gentle fill light, clean highlights, subtle ambient occlusion, and soft contact shadows beneath the letters. The lighting should feel cheerful, fresh, and editorial, not dark or overly cinematic.

Use a bright city-adaptive palette based on [New York]: coastal cities use aqua, coral, cream, and sunny yellow; historic cities use warm stone, terracotta, olive, and soft sky blue; tropical cities use turquoise, mango, palm green, and white; mountain cities use alpine blue, meadow green, snow white, and golden warmth; nightlife cities use violet, cyan, peach, and amber. Keep colors clean, optimistic, premium, and controlled.

Add subtle editorial text elements to improve the poster:

small uppercase header text such as “DESTINATION SERIES”, a tiny location code like “New York / 01”, delicate vertical divider lines, a minimal footer line such as “VISIT [New York]”, and small microtype coordinates or issue number near the bottom edge. These text elements must remain quiet and secondary so the large 3D city name stays the hero.

Background should be clean and spacious with a soft sky gradient, delicate clouds, or abstract color field only. Do not place extra landmarks in the background; all major city identity must come from the typography itself, except the faded symbolic header row.

Style: premium editorial travel advertising, luxury magazine cover, realistic 3D typographic sculpture, bright modern optimism, cheerful wanderlust, cultural identity, clean art direction.

Negative prompt: avoid generic travel posters, separate landmark collages, landmarks pasted behind text, flat typography, cluttered backgrounds, visible sun in the top-left corner, excessive icons, dark cinematic lighting, muddy colors, cheap souvenir aesthetics, unreadable city name, distorted letters, random gradients, noisy textures, stock-template layouts, and overdecorated tourist graphics.