以{LOCATION / VIEWPOINT}在{TIME / LIGHTING}的视角，创作一幅松散的白描与淡彩结合的水彩写意表现，朝向{PRIMARY SUBJECT / LANDMARK...

GPT-Image-2 Goodmanprotocol Thu Aug 13 04:34:06 +0000 2026

Create a loose line-and-wash watercolor interpretation of {LOCATION / VIEWPOINT} at {TIME / LIGHTING}, looking toward {PRIMARY SUBJECT / LANDMARK} with the surrounding environment receding naturally into atmospheric haze.

Draw first in black ink with a fine pen using roughly fifty loose, wobbly freehand strokes. Define the main subjects, foreground structures, key architectural silhouettes, and distant environment with expressive, imperfect contours. Keep distant elements recognizable through thin hairline ink contours along their tops and edges, lighter than the foreground lines but still clearly visible, so the entire scene remains visually “drawn” even where almost no color is present. No hatching or cross-hatching anywhere. Allow several lines to break, wobble, overshoot, or stop unexpectedly.

Apply transparent watercolor off-register with the ink, washing over and beside the contours rather than perfectly filling them. Let color spill beyond some outlines while leaving the ink visibly stranded outside the wash in other areas. Keep the artwork intentionally unfinished and only about 75% resolved: roughly half the sheet should remain bare paper, and every wash should appear one step paler than expected, preserving an airy, spontaneous sketchbook quality.

Place {PRIMARY SUBJECT / PEOPLE / OBJECTS} at the visual golden-section point, approximately 62% across and low in the frame. If people are present, depict them naturally and consistently, with their defining contour lines darker and firmer than the surrounding environment. Allow portions such as legs, lower bodies, or secondary details to dissolve naturally into unpainted paper.

Render {PRIMARY LANDMARK} using a single restrained {WARM / COOL / SPECIFIED COLOR} watercolor wash, with minimal or no internal architectural detail. Distant structures should use only delicate hairline contours over an extremely pale atmospheric wash.

Across the untouched paper in the upper portion, add large, loose, hand-lettered black-ink script reading "{MAIN TITLE}", with smaller handwritten text beneath reading "{SUBTITLE}". Both must be correctly spelled and naturally integrated into the composition. No other lettering, typography, logos, labels, or text anywhere in the image.

Use {LIGHTING / ATMOSPHERIC CONDITION}, with transparency and visible paper texture throughout. The watercolor should bleed naturally beyond all four edges, with no white border, frame, vignette, or artificial edge treatment.

Visual language: expressive urban watercolor sketch, loose fine-pen drawing, imperfect human hand, transparent washes, restrained color, atmospheric perspective, generous negative space, unfinished editorial travel-sketch aesthetic, elegant imperfection, natural paper grain.

Composition: vertical 3:4 aspect ratio. Preserve the same loose line-and-wash philosophy regardless of the location, subjects, architecture, landmarks, or lighting specified in the variables above.

以{LOCATION / VIEWPOINT}在{TIME / LIGHTING}的视角，创作一幅松散的白描与淡彩结合的水彩写意表现，朝向{PRIMARY SUBJECT / LANDMARK}望去，周围环境自然退入大气的薄雾之中。 首先用细笔黑墨水画出约五十笔松散、颤抖的自由线条。以表现力强而不完美的轮廓勾勒主体、前景结构、关键建筑剪影以及远景环境。让远处的元素通过沿其顶部和边缘的细发丝墨线保持可辨认，线条比前景更细但仍然清晰可见，使整个场景即使在几乎无色彩处也保持视觉上的"被画过"的质感。禁止任何排线或交叉排线。允许若干线条断裂、颤抖、过度延伸或意外中断。 在墨线之上和旁侧使用透明水彩，故意不与墨线完全对齐，让颜色溢出部分轮廓，同时在另一些区域让墨线明显裸露于色块之外。保持作品有意未完成，仅约75%完成度：...

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以{LOCATION / VIEWPOINT}在{TIME / LIGHTING}的视角，创作一幅松散的白描与淡彩结合的水彩写意表现，朝向{PRIMARY SUBJECT / LANDMARK}望去，周围环境自然退入大气的薄雾之中。首先用细笔黑墨水画出约五十笔松散、颤抖的自由线条。以表现力强而不完美的轮廓勾勒主体、前景结构、关键建筑剪影以及远景环境。让远处的元素通过沿其顶部和边缘的细发丝墨线保持可辨认，线条比前景更细但仍然清晰可见，使整个场景即使在几乎无色彩处也保持视觉上的"被画过"的质感。禁止任何排线或交叉排线。允许若干线条断裂、颤抖、过度延伸或意外中断。在墨线之上和旁侧使用透明水彩，故意不与墨线完全对齐，让颜色溢出部分轮廓，同时在另一些区域让墨线明显裸露于色块之外。保持作品有意未完成，仅约75%完成度：...

原始 Prompt

Create a loose line-and-wash watercolor interpretation of {LOCATION / VIEWPOINT} at {TIME / LIGHTING}, looking toward {PRIMARY SUBJECT / LANDMARK} with the surrounding environment receding naturally into atmospheric haze.

Draw first in black ink with a fine pen using roughly fifty loose, wobbly freehand strokes. Define the main subjects, foreground structures, key architectural silhouettes, and distant environment with expressive, imperfect contours. Keep distant elements recognizable through thin hairline ink contours along their tops and edges, lighter than the foreground lines but still clearly visible, so the entire scene remains visually “drawn” even where almost no color is present. No hatching or cross-hatching anywhere. Allow several lines to break, wobble, overshoot, or stop unexpectedly.

Apply transparent watercolor off-register with the ink, washing over and beside the contours rather than perfectly filling them. Let color spill beyond some outlines while leaving the ink visibly stranded outside the wash in other areas. Keep the artwork intentionally unfinished and only about 75% resolved: roughly half the sheet should remain bare paper, and every wash should appear one step paler than expected, preserving an airy, spontaneous sketchbook quality.

Place {PRIMARY SUBJECT / PEOPLE / OBJECTS} at the visual golden-section point, approximately 62% across and low in the frame. If people are present, depict them naturally and consistently, with their defining contour lines darker and firmer than the surrounding environment. Allow portions such as legs, lower bodies, or secondary details to dissolve naturally into unpainted paper.

Render {PRIMARY LANDMARK} using a single restrained {WARM / COOL / SPECIFIED COLOR} watercolor wash, with minimal or no internal architectural detail. Distant structures should use only delicate hairline contours over an extremely pale atmospheric wash.

Across the untouched paper in the upper portion, add large, loose, hand-lettered black-ink script reading "{MAIN TITLE}", with smaller handwritten text beneath reading "{SUBTITLE}". Both must be correctly spelled and naturally integrated into the composition. No other lettering, typography, logos, labels, or text anywhere in the image.

Use {LIGHTING / ATMOSPHERIC CONDITION}, with transparency and visible paper texture throughout. The watercolor should bleed naturally beyond all four edges, with no white border, frame, vignette, or artificial edge treatment.

Visual language: expressive urban watercolor sketch, loose fine-pen drawing, imperfect human hand, transparent washes, restrained color, atmospheric perspective, generous negative space, unfinished editorial travel-sketch aesthetic, elegant imperfection, natural paper grain.

Composition: vertical 3:4 aspect ratio. Preserve the same loose line-and-wash philosophy regardless of the location, subjects, architecture, landmarks, or lighting specified in the variables above.

低饱和留白梦幻画面文字城市或街道人物肖像海报线稿