PROMPT RECORD图像记录
制作一张专业的16:9电影感分镜/故事板拼图,用于一支20秒的写实汽车广告。严格以上传的汽车参考图板作为车辆身份基准。 在同一张图中展示6个连续的分镜画面,按3列×2行排列,面板尺寸一致,按时...
中文说明
制作一张专业的16:9电影感分镜/故事板拼图,用于一支20秒的写实汽车广告。严格以上传的汽车参考图板作为车辆身份基准。 在同一张图中展示6个连续的分镜画面,按3列×2行排列,面板尺寸一致,按时间顺序自左向右排列。不出现标题、时间戳、标签、标志、UI或文字。 严格的车辆一致性 每个面板都必须展示同一辆原创电动GT轿跑:低楔形车头、无格栅前脸、贯穿式细窄白色前灯、垂直的转角风道、长轴距、锋利的肩线、黑色玻璃水滴形座舱、溜背车尾、一体化鸭尾扰流板、贯穿式细窄红色尾灯、深色五片式扩散器以及缎面石墨灰五辐涡轮轮毂。不得重新设计比例或轮毂。 仅材质和尺度发生演变: 石墨素描 → 赭色黏土1:5模型 → 哑光灰色全尺寸原型车 → 烧橘色金属漆量产车。 所有场景在物理上彼此衔接:高端深色汽车设计工作室 → 青色灯光风洞 → 湿...
原始 Prompt
“Create a professional 16:9 cinematic storyboard/contact sheet for a 20-second photorealistic automotive commercial. Use the uploaded vehicle reference board as the strict identity reference.
Show 6 sequential storyboard frames in one image, arranged 3 columns × 2 rows, equal-sized panels, chronological left-to-right. No captions, timestamps, labels, logos, UI or text.
STRICT VEHICLE CONSISTENCY
Every panel shows the exact same original electric GT coupe: low wedge nose, grilleless front, thin full-width white front light, vertical corner air channels, long wheelbase, sharp shoulder line, black-glass teardrop canopy, fastback rear, integrated ducktail spoiler, thin full-width red rear light, dark five-fin diffuser and satin-graphite five-spoke turbine wheels. Never redesign proportions or wheels.
Only its material and scale evolve:
graphite drawing → ochre clay 1:5 model → matte-grey full-size prototype → burnt-orange metallic production car.
All locations feel physically connected: premium dark automotive design studio → cyan-lit wind tunnel → wet runway/open studio door → blue-hour mountain road.
FRAME 1 — GRAPHITE
Extreme macro, paper-level 3/4 view. Detailed graphite car sketch, front wheel appearing to rotate. Thin graphite construction lines rise from the paper as dimensional ribbons while remaining attached to the drawing. Dynamic wheel-to-nose composition.
FRAME 2 — CLAY
Elevated 3/4 view. Graphite ribbons transform into a highly detailed warm-ochre 1:5 clay model directly over the sketch. Part of the rear still transitioning from graphite into clay. Black temporary wheels contact the paper.
FRAME 3 — SCALE
Low side 3/4 tracking composition. Clay model rolls from paper onto a black drafting table toward the wind tunnel while expanding dramatically toward full scale. Front half becoming matte light-grey prototype. Surrounding table and studio objects clearly communicate scale.
FRAME 4 — AERODYNAMICS
Full-size matte-grey prototype inside a dark cyan-lit wind tunnel. Low front 3/4 hero angle. Several clean luminous cyan airflow ribbons wrap precisely from nose to tail, emphasizing wheel arch, canopy, shoulder and integrated spoiler.
FRAME 5 — PAINT
85mm cinematic macro from front-left fender toward rear quarter. A controlled wave of deep burnt-orange liquid-metallic finish travels across the matte-grey body. Half prototype, half finished paint. Black canopy, graphite wheels and thin lights revealed behind the wave.
FRAME 6 — ROAD
Finished burnt-orange coupe driving fast through a sweeping left curve on a wet mountain road at blue hour. Front 3/4 rolling camera, realistic spinning wheels, subtle spray and reflections. Warm horizon glow on paint, cobalt mountains behind, distant illuminated studio doorway visible far back.
VISUAL STYLE
Photoreal premium automotive advertising, cinematic anamorphic composition, realistic materials and reflections, tactile graphite/clay, sophisticated studio lighting, deep blue-hour atmosphere, subtle motion blur and film grain, physically accurate scale and perspective.
No people, characters, copyrighted imagery, recognizable existing vehicle, logos, badges, plates, text, extra cars, floating parts, malformed wheels, inconsistent geometry or fantasy styling.”