PROMPT RECORD图像记录

创建一个单一的电影感 3×3 分镜表,包含一段高端 MMA 体育剧情对峙场景前 30 秒内的 9 个连续镜头,并严格按照下方定义使用已上传的参考图。 参考层级 @ img1 = JACK “I...

中文说明

创建一个单一的电影感 3×3 分镜表,包含一段高端 MMA 体育剧情对峙场景前 30 秒内的 9 个连续镜头,并严格按照下方定义使用已上传的参考图。 参考层级 @ img1 = JACK “IRON” MERCER(杰克 “铁人” 默瑟) Jack 的绝对身份参考。必须严格保留其确切的面孔、年龄、灰白胡须、发型、眼睛颜色、肌肉发达的原始体格、纹身、伤疤、完整训练装备以及沉稳的澳大利亚格斗者气质。 @ img2 = ADRIAN “ACE” VALE(阿德里安 “王牌” 维尔) Adrian 的绝对身份参考。必须严格保留其确切的面孔、年龄、发型、修整过的胡须、眼睛颜色、精致的运动体型、大面积纹身、华丽拳击手风格的入场长袍/服饰、珠宝以及危险的洛杉矶超级明星气质。 @ img3 = HEAD COACH MARCU...

原始 Prompt

Create a single cinematic 3×3 storyboard sheet containing 9 sequential shots across the first 30 seconds of a premium MMA sports-drama confrontation, using the uploaded references exactly as defined below.

REFERENCE HIERARCHY

@ img1 = JACK “IRON” MERCER
Absolute identity reference for Jack. Preserve exact face, age, grey beard, hairstyle, eye color, muscular raw physique, tattoos, scars, complete training outfit and grounded Australian fighter presence.

@ img2 = ADRIAN “ACE” VALE
Absolute identity reference for Adrian. Preserve exact face, age, hairstyle, groomed beard, eye color, polished athletic physique, extensive tattoos, flamboyant boxer-style entrance robe/outfit, jewelry and dangerous LA superstar presence.

@ img3 = HEAD COACH MARCUS DELANEY
Preserve exact face, age, physique, wardrobe and coaching appearance.

@ img5g4 = ASSISTANT COACHES TYLER REYES + MALIK CARTER
Preserve exact identities, wardrobe, body proportions and distinguishing features.

@ img5 = BACKGROUND TRAINING FIGHTERS
Use these exact supporting fighters throughout the gym. Preserve their different physiques, hairstyles, outfits, tattoos and training roles.

@ img6 = GYM VISUAL / MOOD REFERENCE
Primary reference for gym architecture, lighting, materials, color palette and atmosphere only. Preserve the gritty premium championship-fight-gym language: industrial ceiling, warm overhead practicals, dark steel, worn boxing ring, MMA training area, bags, benches, posters, equipment, atmospheric depth and realistic wear.

@ img7 = MASTER FIRST-FRAME / POPULATED GYM REFERENCE
Use @ img7 as the absolute spatial and composition continuity anchor. Preserve the established populated gym, relative scale of the space, ring placement, training-floor geography, character hierarchy, lighting direction and overall cinematic mood. The storyboard begins from the visual world established in @ img7.

Do not redesign characters or relocate major environment features between panels.

STORYBOARD FORMAT

Generate 9 photoreal cinematic panels arranged as a clean professional 3×3 director’s storyboard sheet.

Each panel represents a precise shot from the same continuous scene.

Add only small production labels beneath each frame:

SHOT 01 — 0:00–0:04 — 35mm
SHOT 02 — 0:04–0:06 — 70mm
etc.

No dialogue text inside the image panels.

SHOT 01 — 0:00–0:04

32–40mm wide environmental shot.

Begin from the world and geography established in @ img7.

Jack is already near the boxing ring after pausing training.

Adrian has just entered approximately 5–7 metres away.

They notice each other.

Jack remains still.

Adrian begins walking toward him.

Head coach, assistants and fighters continue working naturally.

Strong environmental depth.

This is the opening visual hook:

Jack belongs here. Adrian has come specifically for him.

SHOT 02 — 0:04–0:06

65–75mm medium side-profile tracking composition on Adrian.

Adrian walks across the training floor toward Jack.

Preserve his exact flamboyant outfit from @ img2.

Robe fabric moves naturally.

Gold details catch warm practical light.

Chest and shoulder tattoos remain visible.

His expression is calm, confident and faintly amused.

Background fighters from @ img5 continue training behind him.

SHOT 03 — 0:06–0:08

85mm tight medium close-up on Jack.

Use exact Jack identity from @ img1.

Jack watches Adrian approach.

Sweat, grey beard, tattoos, scars and weathered skin are clearly visible.

His shoulders remain loose.

Expression: grounded, calm, almost amused.

Very subtle push-in feeling.

SHOT 04 — 0:08–0:12

50–65mm slightly low-angle medium two-shot.

Adrian reaches Jack and stops approximately 60–70 cm away.

Both men stand naturally.

Hands down.

No fighting stance.

Boxing ring remains visible behind them using the established geography from @ img7.

The coach and active training floor remain in secondary depth.

Strong eye contact.

SHOT 05 — 0:12–0:16

100–110mm dirty over-the-shoulder close-up from behind Adrian onto Jack.

Adrian’s shoulder and side of head softly blurred in foreground.

Jack dominates the focus plane.

Jack lowers his chin a fraction.

Eyes completely fixed on Adrian.

Very shallow depth of field.

Preserve exact Jack tattoos, beard and facial structure from @ img1.

SHOT 06 — 0:16–0:20

Reverse 100–110mm dirty OTS from behind Jack onto Adrian.

Jack’s shoulder blurred in foreground.

Adrian dominates focus.

His earlier half-smile has disappeared.

Expression becomes colder, more analytical and predatory.

Tiny chin lift.

Pres@ img3exact Adrian facial identity, tattoos and groomed appearance from @  img2.

SHOT 07 — 0:20–0:24

120–135mm compressed symmetrical profile two-shot.

Jack and Adrian face each other at very close conversational distance.

Both profiles visible simultaneously.

Their faces occupy opposing sides of the frame.

Strong telephoto compression.

The busy gym continues behind them but falls into beautiful cinematic softness.

Neither steps backward.

Neither raises a hand.

This should visually echo the intense face-to-face language of premium championship fight cinema.

SHOT 08 — 0:24–0:27

135mm extreme close-up on Adrian.

Frame primarily Adrian’s eyes and upper face.

Jack’s blurred cheek, beard or shoulder creates foreground depth.

Adrian studies Jack.

A tiny controlled half-smile begins returning.

His expression should feel intelligent, dangerous and slightly amused rather than openly aggressive.

Extremely shallow depth of field.

SHOT 09 — 0:27–0:30

110–135mm final extreme Jack close-up resolving into a tight profile two-shot.

Begin with Jack’s eyes and face dominating frame.

His expression barely changes.

A microscopic hint of amusement.

Then frame both men tightly in profile, locked eye-to-eye.

Head coach and moving gym activity softly visible deeper behind them.

This must feel like the exact final frame that could become the opening reference for Part 2.

PERFORMANCE LANGUAGE

Both fighters are elite professionals.

Their confrontation is fierce through restraint.

No raised fists.
No pointing.
No chest bumping.
No exaggerated grimacing.
No shouting.

Use:

locked eye contact
tiny jaw shifts
micro-smiles
controlled breathing
slight chin movement
subtle changes around the eyes
physical stillness

Jack: raw power, grounded certainty, experience, emotional control.

Adrian: polished menace, flamboyance, intelligence, psychological manipulation.

As the storyboard progresses:

the camera gets tighter while their bodies become quieter.

BACKGROUND CONTINUITY

Use @ img3, @ img4 and @ img5 exactly.

Marcus remains around Jack’s training zone.

One assistant continues pad work.

The second assistant continues grappling/tactical observation.

Supporting fighters continue believable activity:

heavy bag,
pad combinations,
jump rope,
grappling,
cage positioning,
hydration,
wrap adjustments.

The gym must feel busy but controlled.

Nobody gathers to watch.

Nobody reacts theatrically.

Training never stops.

CINEMATIC STYLE

Photorealistic premium Hollywood sports-drama cinematography.

Use @ img6 and @ img7 for:

warm industrial overhead lighting
cool window spill
subtle atmospheric haze
deep charcoal shadows
weathered reds and steel tones
realistic worn gym materials
authentic sweat
detailed tattoo ink
natural skin texture
premium robe fabric
realistic lens falloff
subtle film grain
strong depth layering
controlled highlight roll-off

Maintain consistent screen direction, eyelines, ring position and gym geography throughout all nine frames.

Overall progression:

DISTANCE → APPROACH → CONTACT → VERBAL PRESSURE → COMPRESSION → PSYCHOLOGICAL STANDOFF

The completed image should look like a professional director’s storyboard / cinematic previsualization sheet for a premium world-championship MMA drama, with all nine frames belonging unmistakably to the same continuous scene.