PROMPT RECORD图像记录

创作一张高细节的专业动画分镜板图，采用干净的16:9宽屏横向格式，原创3D卡通故事标题为："THE REVERSE REVEAL（反转揭示）"——一个完全原创、版权安全、全家友好的情感短片概念...

GPT-Image-2 ManuAGI01 Tue Aug 04 10:52:56 +0000 2026

Create a single high-detail professional animation storyboard sheet in a clean 16:9 widescreen landscape format for an original 3D cartoon story titled: "THE REVERSE REVEAL" — a fully original, copyright-safe, family-friendly emotional short film concept. Every character, costume, location, logo, and prop in this image must be 100% original invention. Do not depict or resemble any existing movie, television, game, comic, or franchise character. Do not include real-world brand names, trademarks, or recognizable studio logos. Keep all content gentle, warm, non-violent, and suitable for all ages — no blood, injury, horror, cruelty, weapons, or distressing imagery of any kind. All emotion is conveyed through facial expression, body language, lighting, and symbolic props only.

OVERALL MEDIUM AND STYLE: Render the entire image as a professional hand-drawn pre-production storyboard sheet photographed flat: clean off-white paper background with very subtle paper grain and faint tooth texture. All panel artwork drawn in graphite pencil linework with soft directional hatching and light gray shading, loose but confident studio-artist quality. Red framing boxes drawn around every storyboard panel. Blue arrows drawn over the artwork to indicate camera movement, push-ins, pull-outs, pans, and character motion. Circled shot numbers in the upper-left corner of each panel. Handwritten production notes in neat, highly readable pencil script beneath and beside panels. The layout should be visually dense but perfectly organized and legible, like a real animation-studio development board. Use color very sparingly and intentionally — only in the small color reference portraits, the key prop color callouts, the lower-right color palette swatches, and three or four selected emotional key moments where a warm amber glow or soft dawn blue washes into an otherwise pencil-gray panel.
TOP OF SHEET: Large hand-lettered title across the top center in bold pencil capitals: "THE REVERSE REVEAL". Directly beneath it, a smaller handwritten subtitle: "An Original 3D Cartoon Short — Told Backwards, From Triumph to the Moment She Almost Quit". To the left of the title, a small rectangular boxed label reading "SEQUENCE 01".

TOP-RIGHT LEGEND BOX: A neat bordered legend in the upper-right corner containing, stacked vertically:
a small red rectangle icon labeled "CAMERA / FRAMING"

a small blue curved arrow icon labeled "ACTION / MOVE / TIME-FLOW"
a small handwritten date: "REV. 04 — 08 / 04"
a small handwritten artist credit: "BOARDS: A. VELLORE"
a small label: "PAGE 1 OF 1" Add one extra handwritten note under the legend in slightly larger script: "NOTE: STORY RUNS IN REVERSE — PANELS READ FORWARD, TIME READS BACKWARD."
STORY CONCEPT TO ILLUSTRATE: An original stylized 3D cartoon character named MIRA SOLVANE — a warm, expressive young woman in her early twenties with a soft rounded cartoon silhouette, a short dark bob with one stubborn strand that never stays put, large expressive eyes, a slightly oversized mustard-yellow cardigan worn over a plain teal tee, rolled sleeves, and mismatched socks. The film opens on her happiest moment and travels backward in time, beat by beat, until we arrive at the small, quiet, private moment where she nearly gave up — so the audience finally understands what the joy cost. The recurring symbolic object is a HAND-FOLDED PAPER CRANE that, as time reverses, progressively un-folds across the panels until it is a single blank sheet of paper in the final shot. Supporting characters: NANA IRIS, her grandmother, small and round with silver braided hair, round spectacles, a knitted shawl, always holding a chipped enamel tea mug; and PIP, a scruffy, round-bodied cartoon terrier with one ear permanently flopped. Tone: tender, hopeful, quietly funny, deeply warm. No conflict with any antagonist — the only obstacle is self-doubt, shown through posture, empty rooms, and dimming light.
MAIN STORYBOARD GRID: Draw exactly 12 storyboard panels arranged in 3 clean rows of 4 panels each, all identical size, each bordered by a red framing box, each with a circled shot number in the corner and a one-line handwritten caption underneath. Panel contents:
PANEL 1 — WIDE ESTABLISHING. Golden late-afternoon light floods a small cluttered apartment kitchen. Mira stands at the center of the room mid-laugh, arms thrown up, the finished paper crane held high in one hand; Pip leaps around her ankles. Camera: slow push-in, blue arrow curving inward. Mood: pure joy, warm amber color wash. Caption: "START AT THE HAPPIEST FRAME. WE EARN THIS LATER."
PANEL 2 — MEDIUM TWO-SHOT. Moments earlier: Nana Iris in the doorway holding two mugs, eyes crinkling, watching Mira read something off-screen. Camera: static, soft rack focus indicated with blue arrow. Mood: proud, gentle. Caption: "NANA SAW IT COMING BEFORE SHE DID."

PANEL 3 — CLOSE-UP INSERT. Mira's hands trembling as she holds an open envelope and a folded letter, the paper crane sitting on the table beside it, one wing already half-unfolded. Camera: overhead top-down. Mood: breath-held anticipation. Caption: "TIME IS RUNNING BACKWARD — WATCH THE CRANE."
PANEL 4 — LOW ANGLE, EXTERIOR. Earlier that day: Mira walking away from a modest civic building down wide stone steps, shoulders finally dropping, exhaling, Pip's leash in hand. Camera: low tracking, long blue arrow left-to-right. Mood: released tension. Caption: "SHE DOESN'T KNOW YET. WE DO."

PANEL 5 — MEDIUM. Interior waiting room, rows of empty chairs, Mira alone rehearsing silently, lips moving, folding and refolding the crane in her lap. Camera: slow lateral dolly past a foreground plant. Mood: nervous, small. Caption: "SMALLEST SHE'LL LOOK ALL FILM."
PANEL 6 — CLOSE. Her reflection in a bus window at dawn, city sliding past behind her face, crane held to her chest, one more fold undone. Camera: locked, gentle handheld drift. Mood: quiet resolve, soft dawn-blue color wash. Caption: "THE MORNING SHE DECIDED TO GO."

PANEL 7 — WIDE INTERIOR, NIGHT. Weeks earlier: the same kitchen, now dark except one desk lamp; Mira asleep at the table surrounded by crumpled drafts, Pip curled at her feet, Nana Iris draping the shawl over her shoulders. Camera: slow crane-down from high. Mood: exhausted tenderness. Caption: "SOMEONE WAS ALWAYS COVERING HER."

PANEL 8 — MIDPOINT REVEAL / OVER-SHOULDER. Nana Iris quietly retrieving a crumpled sheet of paper from a wastebasket, smoothing it flat on the counter, and beginning to fold the very first crease of the crane. Camera: push-in on her hands. Mood: the hinge of the whole film — subtle warm highlight on the paper. Caption: "REVEAL: NANA MADE THE FIRST FOLD."

PANEL 9 — MEDIUM, CLIMAX SETUP. Mira at the table with her chair pushed back, staring at a blank page, pencil set down, the empty room enormous around her. Camera: slow pull-out widening the negative space, long blue arrow outward. Mood: hollow, still. Caption: "PULL BACK UNTIL SHE'S ALONE IN THE FRAME."

PANEL 10 — EXTREME CLOSE-UP, EMOTIONAL CLIMAX. Her fingertip hovering over a page, then the hand closing, crumpling the sheet in a slow soft fist. No harshness — just one tear catching lamplight on her cheek. Camera: macro, locked. Mood: the film's quietest, heaviest beat. Caption: "THIS IS THE MOMENT THE WHOLE FILM WAS HIDING."

PANEL 11 — WIDE, RESOLUTION-IN-REVERSE. Pull back to reveal the room at the beginning of that evening: the page still blank and flat on the table, Mira just sitting down, cardigan sleeves being rolled up, Pip hopping into the opposite chair. Camera: static wide, gentle vignette. Mood: fragile beginning. Caption: "ALL SHE DID WAS SIT DOWN. THAT WAS THE WHOLE VICTORY."

PANEL 12 — FINAL HERO SHOT. Top-down on the single blank sheet of paper alone on the wooden table, one thumbprint smudge visible, warm lamplight pooling across it, a faint ghosted pencil outline of the finished crane overlaid above it like a promise. Camera: locked, slow fade. Mood: hopeful, full-circle, soft amber. Caption: "END ON THE BLANK PAGE. AUDIENCE REWATCHES IMMEDIATELY."

RIGHT-SIDE "CHARACTER DESIGN / CASTING" SECTION: A clearly bordered vertical column along the right edge of the sheet, hand-labeled "CHARACTER DESIGN / CASTING", containing:

MIRA SOLVANE: a front-facing turnaround sketch, a side-profile turnaround sketch, a strip of four expression studies (hopeful / defeated / laughing / holding-back-tears), a small full-color reference portrait swatch showing mustard cardigan, teal tee, warm brown skin, dark bob, and a small solid-black silhouette study with the handwritten note "SILHOUETTE READS BY THE STRAND OF HAIR + BAGGY SLEEVES."

Handwritten personality notes beside her: "STUBBORN. FUNNY WHEN NERVOUS. FIDGETS WITH PAPER. NEVER ASKS FOR HELP."

NANA IRIS: a smaller front turnaround, one side sketch, two expression studies (knowing smile / quiet worry), a small color reference portrait with plum shawl and silver braid, and the note "MOVES SLOW. NOTICES EVERYTHING. NEVER SAYS IT OUT LOUD."

PIP THE TERRIER: three quick mini pose sketches (leaping, curled asleep, head tilted) with the note "EMOTIONAL BAROMETER — HIS EARS TELL THE AUDIENCE HOW TO FEEL."

"KEY PROP — THE UNFOLDING PAPER CRANE" SECTION: A dedicated bordered box (place it beneath the character column or along the lower-right) hand-labeled "KEY PROP — THE UNFOLDING PAPER CRANE". Inside, draw a left-to-right progression strip of six stages showing the crane fully folded, then progressively un-folding, ending as a flat blank sheet — with a blue arrow running beneath the strip pointing right and the handwritten note "PROP RUNS BACKWARD WITH THE STORY. CONTINUITY CRITICAL." Add two small secondary prop sketches with labels: the chipped enamel tea mug ("NANA'S — SAME MUG IN 6 PANELS") and the single desk lamp ("ONLY PRACTICAL LIGHT SOURCE IN NIGHT SCENES").

BOTTOM NOTE BOXES: Three clearly bordered rectangular note boxes running along the bottom of the sheet, each with a hand-lettered heading and short pencil bullet points:
BOX 1 — "EMOTIONAL JOURNEY": • Joy → anticipation → nerves → resolve → exhaustion → doubt → stillness → hope • Audience feels confusion first, understanding last • Never state the goal — only show the cost • Nana's fold is the emotional key; hide it until Panel 8
BOX 2 — "CAMERA / STORY NOTES": • Reverse chronology — every cut moves back in time • Push-ins on joy, pull-outs on doubt • Frames get progressively emptier as we travel backward • Panel 12 mirrors Panel 1 composition exactly, inverted • Cut on matching hand positions to smooth the time jumps
BOX 3 — "COLOR / MOOD / LIGHTING": • Warm amber = present-day joy; dawn blue = transition beats • Color saturation DRAINS as we move backward in time • Panels 9–11 nearly pure graphite, one lamp only • Panel 12 reintroduces amber — hope returns to the blank page • Practical light sources only; no fill from camera side
LOWER-RIGHT COLOR PALETTE STRIP: A small horizontal row of six hand-painted rectangular color swatches with tiny handwritten labels beneath: warm amber, mustard yellow, dusty teal, soft plum, dawn blue-gray, and warm off-white paper.
FINAL STYLE REMINDER: The finished image must read as one cohesive, professional, studio-quality animation storyboard sheet — 16:9 widescreen landscape, off-white paper, graphite pencil artwork, red panel boxes, blue action and camera arrows, circled shot numbers, neat legible handwritten annotations, restrained selective color, dense but impeccably organized layout, and entirely original, gentle, family-friendly, violence-free, copyright-free content throughout.

创作一张高细节的专业动画分镜板图，采用干净的16:9宽屏横向格式，原创3D卡通故事标题为："THE REVERSE REVEAL（反转揭示）"——一个完全原创、版权安全、全家友好的情感短片概念。图像中的每一个角色、服装、场景、标志和道具都必须是100%原创发明。不得描绘或雷同任何现有的电影、电视、游戏、漫画或系列角色。不得包含真实世界的品牌名称、商标或可识别的制片厂标志。所有内容须保持温柔、温暖、非暴力，适合所有年龄段——无血腥、伤害、恐怖、残忍、武器或任何令人不安的画面。所有情感仅通过面部表情、肢体语言、灯光和象征性道具来传达。 整体媒介与风格：将整张图像渲染为一张专业手绘前期制作分镜板的平铺照片效果：干净的米白色纸张背景，带有非常细微的纸张颗粒和淡淡的纤维纹理。所有分格画面用石墨铅笔线条绘制，配以柔和的方向...

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中文说明

创作一张高细节的专业动画分镜板图，采用干净的16:9宽屏横向格式，原创3D卡通故事标题为："THE REVERSE REVEAL（反转揭示）"——一个完全原创、版权安全、全家友好的情感短片概念。图像中的每一个角色、服装、场景、标志和道具都必须是100%原创发明。不得描绘或雷同任何现有的电影、电视、游戏、漫画或系列角色。不得包含真实世界的品牌名称、商标或可识别的制片厂标志。所有内容须保持温柔、温暖、非暴力，适合所有年龄段——无血腥、伤害、恐怖、残忍、武器或任何令人不安的画面。所有情感仅通过面部表情、肢体语言、灯光和象征性道具来传达。整体媒介与风格：将整张图像渲染为一张专业手绘前期制作分镜板的平铺照片效果：干净的米白色纸张背景，带有非常细微的纸张颗粒和淡淡的纤维纹理。所有分格画面用石墨铅笔线条绘制，配以柔和的方向...

原始 Prompt

Create a single high-detail professional animation storyboard sheet in a clean 16:9 widescreen landscape format for an original 3D cartoon story titled: "THE REVERSE REVEAL" — a fully original, copyright-safe, family-friendly emotional short film concept. Every character, costume, location, logo, and prop in this image must be 100% original invention. Do not depict or resemble any existing movie, television, game, comic, or franchise character. Do not include real-world brand names, trademarks, or recognizable studio logos. Keep all content gentle, warm, non-violent, and suitable for all ages — no blood, injury, horror, cruelty, weapons, or distressing imagery of any kind. All emotion is conveyed through facial expression, body language, lighting, and symbolic props only.

OVERALL MEDIUM AND STYLE: Render the entire image as a professional hand-drawn pre-production storyboard sheet photographed flat: clean off-white paper background with very subtle paper grain and faint tooth texture. All panel artwork drawn in graphite pencil linework with soft directional hatching and light gray shading, loose but confident studio-artist quality. Red framing boxes drawn around every storyboard panel. Blue arrows drawn over the artwork to indicate camera movement, push-ins, pull-outs, pans, and character motion. Circled shot numbers in the upper-left corner of each panel. Handwritten production notes in neat, highly readable pencil script beneath and beside panels. The layout should be visually dense but perfectly organized and legible, like a real animation-studio development board. Use color very sparingly and intentionally — only in the small color reference portraits, the key prop color callouts, the lower-right color palette swatches, and three or four selected emotional key moments where a warm amber glow or soft dawn blue washes into an otherwise pencil-gray panel.
TOP OF SHEET: Large hand-lettered title across the top center in bold pencil capitals: "THE REVERSE REVEAL". Directly beneath it, a smaller handwritten subtitle: "An Original 3D Cartoon Short — Told Backwards, From Triumph to the Moment She Almost Quit". To the left of the title, a small rectangular boxed label reading "SEQUENCE 01".

TOP-RIGHT LEGEND BOX: A neat bordered legend in the upper-right corner containing, stacked vertically:
a small red rectangle icon labeled "CAMERA / FRAMING"

a small blue curved arrow icon labeled "ACTION / MOVE / TIME-FLOW"
a small handwritten date: "REV. 04 — 08 / 04"
a small handwritten artist credit: "BOARDS: A. VELLORE"
a small label: "PAGE 1 OF 1" Add one extra handwritten note under the legend in slightly larger script: "NOTE: STORY RUNS IN REVERSE — PANELS READ FORWARD, TIME READS BACKWARD."
STORY CONCEPT TO ILLUSTRATE: An original stylized 3D cartoon character named MIRA SOLVANE — a warm, expressive young woman in her early twenties with a soft rounded cartoon silhouette, a short dark bob with one stubborn strand that never stays put, large expressive eyes, a slightly oversized mustard-yellow cardigan worn over a plain teal tee, rolled sleeves, and mismatched socks. The film opens on her happiest moment and travels backward in time, beat by beat, until we arrive at the small, quiet, private moment where she nearly gave up — so the audience finally understands what the joy cost. The recurring symbolic object is a HAND-FOLDED PAPER CRANE that, as time reverses, progressively un-folds across the panels until it is a single blank sheet of paper in the final shot. Supporting characters: NANA IRIS, her grandmother, small and round with silver braided hair, round spectacles, a knitted shawl, always holding a chipped enamel tea mug; and PIP, a scruffy, round-bodied cartoon terrier with one ear permanently flopped. Tone: tender, hopeful, quietly funny, deeply warm. No conflict with any antagonist — the only obstacle is self-doubt, shown through posture, empty rooms, and dimming light.
MAIN STORYBOARD GRID: Draw exactly 12 storyboard panels arranged in 3 clean rows of 4 panels each, all identical size, each bordered by a red framing box, each with a circled shot number in the corner and a one-line handwritten caption underneath. Panel contents:
PANEL 1 — WIDE ESTABLISHING. Golden late-afternoon light floods a small cluttered apartment kitchen. Mira stands at the center of the room mid-laugh, arms thrown up, the finished paper crane held high in one hand; Pip leaps around her ankles. Camera: slow push-in, blue arrow curving inward. Mood: pure joy, warm amber color wash. Caption: "START AT THE HAPPIEST FRAME. WE EARN THIS LATER."
PANEL 2 — MEDIUM TWO-SHOT. Moments earlier: Nana Iris in the doorway holding two mugs, eyes crinkling, watching Mira read something off-screen. Camera: static, soft rack focus indicated with blue arrow. Mood: proud, gentle. Caption: "NANA SAW IT COMING BEFORE SHE DID."

PANEL 3 — CLOSE-UP INSERT. Mira's hands trembling as she holds an open envelope and a folded letter, the paper crane sitting on the table beside it, one wing already half-unfolded. Camera: overhead top-down. Mood: breath-held anticipation. Caption: "TIME IS RUNNING BACKWARD — WATCH THE CRANE."
PANEL 4 — LOW ANGLE, EXTERIOR. Earlier that day: Mira walking away from a modest civic building down wide stone steps, shoulders finally dropping, exhaling, Pip's leash in hand. Camera: low tracking, long blue arrow left-to-right. Mood: released tension. Caption: "SHE DOESN'T KNOW YET. WE DO."

PANEL 5 — MEDIUM. Interior waiting room, rows of empty chairs, Mira alone rehearsing silently, lips moving, folding and refolding the crane in her lap. Camera: slow lateral dolly past a foreground plant. Mood: nervous, small. Caption: "SMALLEST SHE'LL LOOK ALL FILM."
PANEL 6 — CLOSE. Her reflection in a bus window at dawn, city sliding past behind her face, crane held to her chest, one more fold undone. Camera: locked, gentle handheld drift. Mood: quiet resolve, soft dawn-blue color wash. Caption: "THE MORNING SHE DECIDED TO GO."

PANEL 7 — WIDE INTERIOR, NIGHT. Weeks earlier: the same kitchen, now dark except one desk lamp; Mira asleep at the table surrounded by crumpled drafts, Pip curled at her feet, Nana Iris draping the shawl over her shoulders. Camera: slow crane-down from high. Mood: exhausted tenderness. Caption: "SOMEONE WAS ALWAYS COVERING HER."

PANEL 8 — MIDPOINT REVEAL / OVER-SHOULDER. Nana Iris quietly retrieving a crumpled sheet of paper from a wastebasket, smoothing it flat on the counter, and beginning to fold the very first crease of the crane. Camera: push-in on her hands. Mood: the hinge of the whole film — subtle warm highlight on the paper. Caption: "REVEAL: NANA MADE THE FIRST FOLD."

PANEL 9 — MEDIUM, CLIMAX SETUP. Mira at the table with her chair pushed back, staring at a blank page, pencil set down, the empty room enormous around her. Camera: slow pull-out widening the negative space, long blue arrow outward. Mood: hollow, still. Caption: "PULL BACK UNTIL SHE'S ALONE IN THE FRAME."

PANEL 10 — EXTREME CLOSE-UP, EMOTIONAL CLIMAX. Her fingertip hovering over a page, then the hand closing, crumpling the sheet in a slow soft fist. No harshness — just one tear catching lamplight on her cheek. Camera: macro, locked. Mood: the film's quietest, heaviest beat. Caption: "THIS IS THE MOMENT THE WHOLE FILM WAS HIDING."

PANEL 11 — WIDE, RESOLUTION-IN-REVERSE. Pull back to reveal the room at the beginning of that evening: the page still blank and flat on the table, Mira just sitting down, cardigan sleeves being rolled up, Pip hopping into the opposite chair. Camera: static wide, gentle vignette. Mood: fragile beginning. Caption: "ALL SHE DID WAS SIT DOWN. THAT WAS THE WHOLE VICTORY."

PANEL 12 — FINAL HERO SHOT. Top-down on the single blank sheet of paper alone on the wooden table, one thumbprint smudge visible, warm lamplight pooling across it, a faint ghosted pencil outline of the finished crane overlaid above it like a promise. Camera: locked, slow fade. Mood: hopeful, full-circle, soft amber. Caption: "END ON THE BLANK PAGE. AUDIENCE REWATCHES IMMEDIATELY."

RIGHT-SIDE "CHARACTER DESIGN / CASTING" SECTION: A clearly bordered vertical column along the right edge of the sheet, hand-labeled "CHARACTER DESIGN / CASTING", containing:

MIRA SOLVANE: a front-facing turnaround sketch, a side-profile turnaround sketch, a strip of four expression studies (hopeful / defeated / laughing / holding-back-tears), a small full-color reference portrait swatch showing mustard cardigan, teal tee, warm brown skin, dark bob, and a small solid-black silhouette study with the handwritten note "SILHOUETTE READS BY THE STRAND OF HAIR + BAGGY SLEEVES."

Handwritten personality notes beside her: "STUBBORN. FUNNY WHEN NERVOUS. FIDGETS WITH PAPER. NEVER ASKS FOR HELP."

NANA IRIS: a smaller front turnaround, one side sketch, two expression studies (knowing smile / quiet worry), a small color reference portrait with plum shawl and silver braid, and the note "MOVES SLOW. NOTICES EVERYTHING. NEVER SAYS IT OUT LOUD."

PIP THE TERRIER: three quick mini pose sketches (leaping, curled asleep, head tilted) with the note "EMOTIONAL BAROMETER — HIS EARS TELL THE AUDIENCE HOW TO FEEL."

"KEY PROP — THE UNFOLDING PAPER CRANE" SECTION: A dedicated bordered box (place it beneath the character column or along the lower-right) hand-labeled "KEY PROP — THE UNFOLDING PAPER CRANE". Inside, draw a left-to-right progression strip of six stages showing the crane fully folded, then progressively un-folding, ending as a flat blank sheet — with a blue arrow running beneath the strip pointing right and the handwritten note "PROP RUNS BACKWARD WITH THE STORY. CONTINUITY CRITICAL." Add two small secondary prop sketches with labels: the chipped enamel tea mug ("NANA'S — SAME MUG IN 6 PANELS") and the single desk lamp ("ONLY PRACTICAL LIGHT SOURCE IN NIGHT SCENES").

BOTTOM NOTE BOXES: Three clearly bordered rectangular note boxes running along the bottom of the sheet, each with a hand-lettered heading and short pencil bullet points:
BOX 1 — "EMOTIONAL JOURNEY": • Joy → anticipation → nerves → resolve → exhaustion → doubt → stillness → hope • Audience feels confusion first, understanding last • Never state the goal — only show the cost • Nana's fold is the emotional key; hide it until Panel 8
BOX 2 — "CAMERA / STORY NOTES": • Reverse chronology — every cut moves back in time • Push-ins on joy, pull-outs on doubt • Frames get progressively emptier as we travel backward • Panel 12 mirrors Panel 1 composition exactly, inverted • Cut on matching hand positions to smooth the time jumps
BOX 3 — "COLOR / MOOD / LIGHTING": • Warm amber = present-day joy; dawn blue = transition beats • Color saturation DRAINS as we move backward in time • Panels 9–11 nearly pure graphite, one lamp only • Panel 12 reintroduces amber — hope returns to the blank page • Practical light sources only; no fill from camera side
LOWER-RIGHT COLOR PALETTE STRIP: A small horizontal row of six hand-painted rectangular color swatches with tiny handwritten labels beneath: warm amber, mustard yellow, dusty teal, soft plum, dawn blue-gray, and warm off-white paper.
FINAL STYLE REMINDER: The finished image must read as one cohesive, professional, studio-quality animation storyboard sheet — 16:9 widescreen landscape, off-white paper, graphite pencil artwork, red panel boxes, blue action and camera arrows, circled shot numbers, neat legible handwritten annotations, restrained selective color, dense but impeccably organized layout, and entirely original, gentle, family-friendly, violence-free, copyright-free content throughout.

低饱和暖色调多分屏广角远景眼镜短发画面文字角色