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为一部名为《Sunset Run》(日落狂奔)的原创二维动作惊悚短片,仅就 PART 1,创作一张高细节的专业故事板(分镜)单页图像。页面应仅呈现完整的 15 秒 PART 1 分镜,营造时尚...

GPT-Image-2 ManuAGI01 Fri Aug 07 05:48:17 +0000 2026
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为一部名为《Sunset Run》(日落狂奔)的原创二维动作惊悚短片,仅就 PART 1,创作一张高细节的专业故事板(分镜)单页图像。页面应仅呈现完整的 15 秒 PART 1 分镜,营造时尚的电影感好莱坞犯罪片氛围,同时保持干净、原创、并适合故事板展示。整体风格应像一张打磨精良的动画前期制作板,融合图像小说与电影分镜美学:动态构图、强烈的剪影、戏剧化的日落光效、锐利的姿势,以及高能量的视觉叙事。故事必须完全原创、无版权风险。不得使用任何受版权保护的角色、系列作品服装、游戏角色、标志或可辨识的知名品牌设计。动作应保持紧张刺激,但避免血腥、暴力、明显的受伤画面或令人不适的图像。任何出现的武器均应保持风格化、非写实。强调悬疑、追逐的能量与干净利落的动作叙事。 图像应像一张专业的故事板页面:干净的米白色纸张底色,带有...

原始 Prompt

Create a single high-detail professional storyboard sheet image for PART 1 of an original 2D action-thriller short titled “Sunset Run”. The sheet should present a complete 15-second storyboard for Part 1 only, with a stylish cinematic Hollywood-crime-movie feeling, but still clean, original, and safe for a storyboard presentation. Make it feel like a polished animation pre-production board in a graphic-novel-meets-cinematic-storyboard style with dynamic framing, strong silhouettes, dramatic sunset lighting, sharp posing, and high-energy visual storytelling. The story must be fully original and copyright-safe. Do not use copyrighted characters, franchise outfits, game characters, logos, or recognizable brand designs. Keep the action tense and exciting, but avoid blood, gore, graphic injury, or disturbing imagery. Any weapons shown should remain stylized and non-graphic. Emphasize suspense, chase energy, and clean action storytelling.

The image should look like a professional storyboard page with a clean off-white paper background, subtle sketch-paper texture, neat hand-drawn panel borders, readable handwritten captions, and a charming but professional studio-development presentation. Use subtle selective color throughout the board, not full monochrome—keep the dominant palette warm sunset oranges, dusky purple skies, teal shadows, asphalt grays, and red tail-light accents. Use light pencil and ink linework with painted color blocks and action emphasis. At the bottom center, include the label: “PART 1 – 0:00 to 0:15 (15 SECONDS)” with small action-style icons or decorative marks. Arrange the storyboard as 15 panels in a 3-row by 5-column grid. Every panel must have a number, timestamp, and short caption beneath it. The page should feel dense, readable, cinematic, and visually exciting.

Story concept for Part 1: At sunset, two masked underground runners—Lena Cruz and Jax Mercer—arrive at a lonely roadside gas station to recover a stolen black drive from a double-crossed exchange. Lena heads inside while Jax watches the perimeter. But the package is fake, and the station is suddenly surrounded by Rico Vale’s black SUVs. The deal was a trap. Lena and Jax escape through the back of the station, sprint to their muscle car, and realize the enemy still has the real black drive. Part 1 ends with the chase beginning.

Main character designs:

Lena Cruz: young woman, athletic, sharp expression, high dark ponytail, red patterned bandana around lower face or neck, cropped fitted top, light denim shorts or tactical streetwear variation, confident posture, fast and fearless energy. She is the bold impulsive one.
Jax Mercer: young man, tall, strong, short dark hair, blue or dark bandana masking lower face, graphic T-shirt or plain fitted shirt, brown or dark pants, tactical confidence, calm alert eyes. He is controlled, tactical, and steady.
Rico’s Crew: mostly seen as silhouettes, armed henchmen, black SUVs, ominous headlights, dark streetwear, threatening but not grotesque.
Cashier: nervous convenience-store clerk, ordinary and frightened, simple design.
Rico Vale should not be fully featured in Part 1; only imply his presence through the note, the convoy, or maybe a silhouette in the lead SUV if needed.

Environment and prop design:

isolated roadside gas station at sunset
small convenience store
glowing signs and fuel pumps
black SUVs with headlights
muscle car parked behind the station
black drive
paper bag / package
note reading “TOO SLOW.”
back exit door
broken glass, alarm light, store shelving, counter, snack racks
no logos or real brand names

Use a cinematic roadside-desert-suburb atmosphere with a strong orange-pink-purple sunset sky, long shadows, reflective pavement, gas-station canopy lights, and dramatic contrast. The storyboard should communicate stylish crime-thriller energy, clean readable action, and a strong cliffhanger ending.

Include exactly these 15 storyboard panels with clear visual storytelling:

1. (0:00–0:01)
Wide establishing shot. Sunset highway gas station at the edge of town. Lena and Jax approach from the foreground, both masked and alert. Their parked or soon-to-be-used muscle car is hinted nearby. Caption: “At sunset, the pickup begins.”
2. (0:01–0:02)
Medium two-shot. Lena and Jax pause near the pumps. Jax scans the area while Lena adjusts her bandana and looks toward the convenience store entrance. Caption: “One watches the perimeter. One goes inside.”

3. (0:02–0:03)
Interior convenience-store shot. Lena steps in through the door, lit by cool store fluorescents against the warm sunset outside. The nervous cashier watches her carefully. Caption: “Inside, the handoff feels wrong.”
4. (0:03–0:04)
Close-up at the counter. The cashier silently slides a paper bag across the counter toward Lena. Her gloved or tense hand reaches for it. Caption: “The package is delivered.”

5. (0:04–0:05)
Insert / close-up. Lena opens the bag. Inside is not the black drive, but a cheap toy keychain and a folded note. Caption: “Something is off.”
6. (0:05–0:06)
Extreme close-up on the note in Lena’s hand. The handwritten message reads: “TOO SLOW.” Her eyes narrow in instant realization. Caption: “The trap reveals itself.”

7. (0:06–0:07)
Exterior shot from Jax’s POV. Headlights flare outside as black SUVs pull in fast from multiple directions, surrounding the station. Jax turns sharply, instantly reacting. Caption: “Jax sees the convoy first.”
8. (0:07–0:08)
Split-action style or dynamic medium shot. Jax shouts toward the store entrance while reaching for cover. Inside, Lena snaps her head toward the windows as she hears him. Caption: “Too late—the station is surrounded.”

9. (0:08–0:09)
Action interior shot. Lena flips or shoves a small table / product rack / display sideways for cover as glass or store clutter shakes. Keep it stylized and safe. Caption: “Lena moves before the first impact.”
10. (0:09–0:10)
Exterior side angle. Jax smashes or forces open the side/back exit route, creating an escape path. Sparks, splinters, or broken glass can be shown lightly but non-graphically. Caption: “Jax opens the escape route.”

11. (0:10–0:11)
Dynamic chase shot. Lena bursts through the back exit, joining Jax. Both run low and fast behind the station as red-blue alarm light or flashing security lights begin reflecting on the wall. Caption: “They break out through the back.”
12. (0:11–0:12)
Rear-lot sprint shot. Lena and Jax race toward their parked muscle car behind the station. Fuel drums, fences, or service-lane clutter enhance the tension. Caption: “Only one path out remains.”

13. (0:12–0:13)
Lena glances back and spots one of Rico’s men getting into the lead SUV while holding the real black drive. This should be clearly visible. Caption: “The real drive is still with Rico’s crew.”
14. (0:13–0:14)
High-energy shot. Jax jumps into the driver’s seat and ignites the engine while Lena dives into the passenger side. Headlights flare. Tires tense. Caption: “No more guessing. Now it’s a chase.”

15. (0:14–0:15)
Final cliffhanger panel. The muscle car launches forward. In the same shot or a cinematic composition, Lena looks back through the rear or side window at the escaping black SUVs and says they still have the drive. Strong sunset chase energy. Caption: “They still have it.”
Under the storyboard grid, include a small note section with handwritten production notes such as:

Tone: stylish suspense, tense pickup, sudden trap, fast escape
Theme: betrayal, survival, unfinished business

Performance: Lena = bold and reactive, Jax = calm and tactical, Rico’s crew = looming pressure
Part 1 ending: end on chase setup, save full pursuit for Part 2

Also include a small right-side or lower-side character / prop mini reference area if space allows, with quick sketch callouts for:
Lena front bust

Jax front bust
black drive

paper bag with “TOO SLOW.” note
black SUV silhouette

muscle car silhouette
Keep the whole sheet visually polished, dynamic, original, cinematic, and highly readable. Make sure the suspense escalates clearly from quiet arrival to revealed trap to explosive escape, and the final panel must strongly set up Part 2.

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