PROMPT RECORD图像记录

以所上传的照片作为准确的视觉参考,创作一幅竖向双面板的编辑风格艺术作品。 上半部分——原始照片 将上半部分保留为真实且未经修改的照片。保持主体的身份、面容、发型、服装、姿态、比例和动作。若是动...

中文说明

以所上传的照片作为准确的视觉参考,创作一幅竖向双面板的编辑风格艺术作品。 上半部分——原始照片 将上半部分保留为真实且未经修改的照片。保持主体的身份、面容、发型、服装、姿态、比例和动作。若是动物,则保留其毛色、花纹、耳朵、体型、尾巴和动作。若是人与动物的组合,则保留两者之间的确切关系和位置关系。 建筑和复杂的背景细节仅保留为照片,不得在下半部分中重绘。 下半部分——自然材料再造 将相同的主体、姿态和轮廓重新构建为一幅精致的编辑风格插画,完全由真实的叶子、花瓣、细枝、草茎、果实、种子、树皮和干叶构成。 自然材料必须构成主体的真实结构——而不仅仅是装饰一个绘制好的人物。 巧妙地利用它们的天然形态: - 头发由层叠或卷曲的叶子与草构成。 - 服装由相互重叠的叶子和花瓣构成。 - 手臂与腿部由细枝、草茎或窄叶构成。 -...

原始 Prompt

Create a vertical two-panel editorial artwork using the uploaded photograph as the exact visual reference.

TOP HALF — ORIGINAL PHOTO

Keep the top half as the real, unaltered photograph. Preserve the subject's identity, face, hair, clothing, pose, proportions and gesture. For animals, preserve coat colour, markings, ears, body shape, tail and action. If there is a person-and-animal pair, preserve their exact relationship and positioning.

Architecture and complex background details remain photographic only and must not be recreated in the lower half.

BOTTOM HALF — NATURAL-MATERIAL RECREATION

Rebuild the same subject, pose and silhouette as a sophisticated editorial illustration made entirely from real leaves, petals, twigs, grass stems, fruits, seeds, bark and dried leaves.

The natural materials must form the actual structure of the subject—not simply decorate a drawn figure.

Use their natural shapes intelligently:

- Hair from layered or curling leaves and grass.
- Clothing from overlapping leaves and petals.
- Arms and legs from twigs, grass stems or narrow leaves.
- Ears from naturally pointed leaves.
- Tails from curved twigs or slender plant material.
- Face and body from the natural contours, textures and edges of the materials.

Do not draw the subject's outline first and fill it with plants. Do not cut plants into geometric shapes or create a children's leaf-craft appearance. The same person, animal or pair from the photograph must remain immediately recognisable.

COMPOSITION & COLOUR

Place the natural-material subject within one simple rectangular colour field on a pale paper background. The rectangle must have a perfectly straight bottom and right edge, with no notches, steps or inner panels.

Allow only a few naturally directional elements—such as a hand, ear, tail, twig or grass stem—to extend beyond the field organically.

Keep generous white space, an elegant centre of gravity and slightly imperfect symmetry.

Match the photograph's strongest colours using the natural colours of the materials themselves. Preserve real variations in leaf, petal, fruit, bark and dried-plant colours. Never make all materials artificially uniform.

Use black linework only as a minimal supporting detail for eyes, mouth, tiny motion marks or small handwritten accents. Never create a complete black outline around the subject.

TEXT & TYPOGRAPHY

Include exactly three pieces of text:

1. One short English title.
2. One tiny annotation naming a real plant, material or object.
3. One different tiny annotation naming another real plant, material or object.

All text must use Latin letters only, be correctly spelled, and contain no copied signage, logos or text from the original photograph. No word may be repeated between the three text elements.

Keep typography subtle and editorial, never like a conventional poster headline.

EMPTY BOTTOM AREA

The bottom sixth of the entire image must remain completely empty paper, except the title if needed. No plants, colour field, twig, annotation or drawn line may enter this area.

The right third of this bottom strip must be completely empty, including the title.

FINAL LOOK

High-end contemporary editorial art direction: real photograph × real natural materials × delicate hand-drawn trace × clean geometric colour field × restrained typography.

The result should feel poetic, intelligent, handmade and intentionally art-directed—as if an artist physically selected natural materials and reconstructed the photographed subject from their own organic forms.

Do not invent subjects, duplicate limbs/objects, alter the identity, use complete outlines, create cartoon aesthetics, or turn the architecture into the natural-material collage.