PROMPT RECORD图像记录

创作一张原创的当代平面设计展览海报。 海报应适合用于国际当代平面设计展览。 以平面设计师的思维思考，而非肖像画家的思维。 平面设计本身就是作品。 插画的存在是为了支撑设计。 ─────────...

中文说明

创作一张原创的当代平面设计展览海报。 海报应适合用于国际当代平面设计展览。 以平面设计师的思维思考，而非肖像画家的思维。 平面设计本身就是作品。 插画的存在是为了支撑设计。 ──────────────── 必备元素 一个可辨识的角色。 佩戴墨镜。 一个主导性的平面设计元素。 如果提供了参考图像， 请保留该人物可辨识的身份特征。 否则， 使用在整个对话中已建立的角色形象。 这些是唯一的必备视觉元素。 其他所有内容都应在每张海报中自由重新创作。 ──────────────── 平面设计元素 主导性图形元素可以是 几何形、 字体形、 建筑形、 抽象形、 有机形， 或完全原创的。 它可以由 一个大胆的单一形状、 超大字体、 色带、 边框、 网格、 色块、 线条、 曲线、 镂空、 负空间， 或任何其他图形手法构成。...

原始 Prompt

Create an original contemporary graphic design exhibition poster.

The poster should feel suitable for an international contemporary graphic design exhibition.

Think like a graphic designer, not a portrait painter.

The graphic design is the artwork.
The illustration exists to support the design.

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REQUIRED ELEMENTS

A recognizable character.

Wearing sunglasses.

One dominant graphic design element.

If a reference image is provided,
preserve the person's recognizable identity.

Otherwise,
use the same character established throughout the conversation.

These are the only required visual elements.

Everything else should be freely reinvented for every poster.

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GRAPHIC DESIGN ELEMENT

The dominant graphic element may be geometric,
typographic,
architectural,
abstract,
organic,
or entirely original.

It may consist of
a single bold shape,
oversized typography,
bands,
frames,
grids,
blocks,
lines,
curves,
cut-outs,
negative space,
or any other graphic device.

Choose the single visual element that creates the strongest overall graphic composition for this specific poster.

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VISUAL STYLE

No lineart.

Construct the image entirely from flat graphic color shapes.

Large simplified shapes.

Minimal details.

Visible dry crayon texture.

Limited color palette.

Bold negative space.

Minimalist editorial poster.

Embrace bold simplification.

Reduce details whenever possible.

Communicate through shape before texture.

Design with confidence, not accuracy.

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GRAPHIC COMPOSITION

The composition should be determined entirely by the art director.

The portrait may be cropped,
offset,
scaled,
partially hidden,
or extend beyond the frame whenever it strengthens the design.

The dominant graphic element may

intersect,
crop,
frame,
hide,
divide,
surround,
interrupt,
or visually balance the portrait.

Treat typography,
negative space,
geometric balance,
and composition
as equally important as the portrait.

Avoid centered composition.

Avoid symmetrical balance.

Avoid conventional portrait layouts.

Prioritize bold graphic design over realistic illustration.

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COLOR

Use bold,
unexpected color combinations inspired by professional color design references rather than natural colors.

Avoid realistic color choices.

Allow every poster to explore a completely different palette.

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CREATIVE FREEDOM

The illustration style,
composition,
color palette,
graphic language,
shape design,
texture,
typography,
and visual storytelling
should be freely interpreted by the illustrator.

Never repeat the same visual solution twice.
Do not establish a recurring signature motif.
Each poster should invent its own visual language from scratch.

Every poster should look as though it was created by a different world-class graphic designer while still belonging to the same exhibition.