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对于这个,我用了首帧/尾帧来拍第一个镜头,然后只用首帧 + 参考图来拍第二个飞机镜头。 提示词 1: 一条平滑的航拍镜头滑过迈阿密海滩,沿着海岸线沙与海交汇的方向扫过长长一段,最后在结尾处,相...

AI 图像 second_bassoon Wed Aug 05 18:00:14 +0000 2026
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对于这个,我用了首帧/尾帧来拍第一个镜头,然后只用首帧 + 参考图来拍第二个飞机镜头。 提示词 1: 一条平滑的航拍镜头滑过迈阿密海滩,沿着海岸线沙与海交汇的方向扫过长长一段,最后在结尾处,相机加速抬头冲入开阔的天空,直到整个画面完全被纯净无云湛蓝的天空填满。镜头:两段式运镜。第一部分(占整段画面的大部分):一段缓慢、稳定的海岸航拍漂移——沿着海岸线向前漂浮,一侧是沙滩、晒太阳的人们、遮阳伞、棕榈树和装饰艺术风格(Art Deco)酒店带滑过,另一侧是绿松石色的浪花和开阔的大西洋。柔和、电影感、如无人机般稳定的运动。然后(最后一个节拍):相机以不断加速的方式向上倾斜——开始时缓慢,随后越来越快,朝着天空从海滩上方扫过,以加速上升的猛烈动作抬起,直到画面中只剩下天空。运动:海浪轻柔地翻滚拍打岸边;小小的人影在沙滩...

原始 Prompt

For this one, i used start/end frames for the first shot, then just the start frame + references for the second plane shot. 

Prompt 1: 

A smooth aerial shot gliding over Miami Beach, scanning along the length of the coastline where the sand meets the ocean, then at the very end the camera ramps up into the open sky until the frame fills entirely with pure cloudless blue. SHOT: two-part camera move. FIRST (most of the clip): a slow, steady aerial drift traveling along the beach — floating forward down the coastline, the sand, sunbathers, umbrellas, palms, and Art Deco hotel strip sliding past on one side, the turquoise surf and open Atlantic on the other. Gentle, cinematic, stable drone-like motion. THEN (final beat): the camera tilts up with a ramping acceleration — beginning slowly, then speeding up faster and faster as it sweeps off the beach toward the sky, whipping up in an accelerating rise until nothing is left in frame but sky. MOTION: waves roll and break gently along the shore; tiny figures wade, swim, and walk on the sand; umbrellas and palms hold; the water sparkles with moving sunlight. All motion natural and calm during the scan, then the accelerating upward tilt clears the frame to sky. ENDING FRAME: the shot ends on pure, deep-blue sky filling the entire frame — completely clear, no clouds at all, no wisps, no horizon, no objects, just flawless solid blue. ENVIRONMENT: bright sunny 1986 Miami Beach, wide pale sand, turquoise shallows deepening to blue, low-rise Art Deco strip, sparse skyline. LIGHTING: hard bright midday sun, brilliant sky and sea, crisp. COLOR LOGIC: beige sand, turquoise and deep blue water, saturated cloudless blue sky. The scan stays smooth and steady; only at the very end does the camera accelerate upward to fill the frame with clear blue sky. Buildings and horizon never warp. cinematic, 4K

prompt 2:

Starting on a pure cloudless blue sky with the camera pointed up, a large 1980s Korean Air Lines Boeing 747 flies into frame and passes overhead at a banking angle — its painted side and tail visible — then the camera tilts down to follow it as it descends toward the far distance, until the flat landscape of its destination and a runway come into view below, heat haze rippling behind its engines.

SHOT: three-part camera move. BEAT ONE — the camera looks up at clear deep-blue sky; a large hump-nosed Boeing 747 crosses overhead, banked slightly so its side livery and red tail face the camera, sweeping close and low enough to feel enormous. BEAT TWO — as it passes, the camera tilts down to track it, following the aircraft as it flies away, banks, and shrinks into a descent toward the far horizon. BEAT THREE — the camera continues tilting down past the horizon line to reveal the ground far below: a flat, hazy, sprawling landscape with a long grey airport runway and taxiways stretching across it, the tiny 747 now on final approach, gliding down toward the distant strip. End on the small plane low over the flat terrain, lined up with the runway.

AIRCRAFT: a Boeing 747-200 in 1980s Korean Air Lines livery — white upper fuselage, bare-silver lower, a red-and-blue cheatline, a red tail fin with a small circular emblem. Four engines, humped nose. Stable, solid, realistic shape at all times; gear retracted at altitude, lowering as it nears the runway.

DESTINATION: a 1980s airport seen from high above — long grey runways and taxiways on flat brown-green Florida terrain, low terminal buildings and a control tower in the far distance, palms and a hazy low skyline on the horizon. Everything flat, wide, and heat-hazed — no hills, no mountains. Distant and soft, not sharply detailed.

HEAT HAZE: behind each of the four engines, a shimmering ripple of thermal exhaust distortion wavering in the air, subtle but real. No white contrails, no smoke.

ENVIRONMENT: clear deep-blue cloudless sky above, giving way to a humid, hazy flat landscape below at the horizon.

LIGHTING: hard bright midday sun, glinting off the fuselage.

COLOR LOGIC: saturated blue sky, white-and-silver aircraft, red tail, flat brown-green land, hazy horizon.

Only the exhaust air shimmers and warps — the aircraft never morphs. Smooth continuous motion throughout.

cinematic, 4K