PROMPT RECORD图像记录

• 图像提示（Nano Banana）： 《Family Guy》（《恶搞之家》）一集中的一个背景镜头。2D 传统电视动画，采用该剧完全一致的本片美术风格。 美术风格 —— 严格遵循：人物角色...

中文说明

• 图像提示（Nano Banana）： 《Family Guy》（《恶搞之家》）一集中的一个背景镜头。2D 传统电视动画，采用该剧完全一致的本片美术风格。 美术风格 —— 严格遵循：人物角色：粗细均匀的纯黑色描边。平涂的饱和色块。下巴与腹部下方各有一处柔和的阴影形。简洁的豆形身体、小脑袋、短粗的手臂。背景：与人物分开绘制，风格更为柔和 —— 采用深棕色或物体自身色彩的深色调细描边，绝不使用黑色。每个形状内部使用轻柔的喷笔式阴影与柔和渐变以暗示体积感。背景的饱和度比人物更低、更安静，使人物明显地"浮"在画面之上。窗户以平涂的蓝灰色玻璃面绘制，玻璃上带有两条细斜的白色高光条纹。 - 简洁、洁净、极简的细节。无纹理、无污渍、无噪点、无斑点、无交叉排线、无照片级写实渲染、无线条粗细变化。 色彩与光影：昏暗、暮色的傍晚...

原始 Prompt

• Image prompt (Nano Banana):

A background shot from a Family Guy episode. 2D traditional TV animation in the show's exact house style.
ART STYLE — strict: CHARACTERS: bold, even-weight solid black outlines. Flat saturated fills. One soft shadow shape under the chin and belly. Simple bean-shaped bodies, small heads, short stubby arms. BACKGROUNDS: painted separately from the characters, in a softer style — thin outlines in dark brown or a deep tone of the object's own color, never black. Gentle airbrushed shading and soft gradients within each shape to suggest volume. Backgrounds stay quieter and less saturated than the characters, so the characters read as sitting on top of the painting. Windows drawn as flat blue-grey panes with two thin diagonal white streak highlights across them.
- Simple, uncluttered, minimal detail. No texture, no grunge, no noise, no stains, no cross-hatching, no photorealistic rendering, no line-weight variation.
COLOR & LIGHTING: dim, dusky late-evening light. Deep, darkened, low-key palette — greyed-out taupe and warm grey walls, muted brick red, olive and cool slate tones, deep blue-grey glass. Nothing bright, pale or pastel; every surface sits a few steps darker than daylight, as if the sun has already gone down and only ambient blue evening light remains. Broad soft shadows fall across the wall and floor, with the deepest shadow cast by the balcony slab overhead. Warm yellow interior light spills out through the open doorway, the one warm accent against the cool exterior. PERSPECTIVE: simple, nearly straight-on view with very shallow perspective, the way TV animation backgrounds are drawn. Not isometric, not tilted, not a dramatic angle. COMPOSITION: looking at a narrow balcony on the upper floor of a plain apartment building from across the street, very slightly from above. The balcony of the floor above crops the top of the frame and the balcony below crops the bottom. Dusky evening sky at the left edge. The wall is plain warm grey with a muted brick red band. A white balcony door stands open beside a plain window. A simple brown metal railing of evenly spaced vertical bars runs along the balcony edge. On the balcony: a long steel grill clamped over the left half of the railing, holding chicken wings, a row of sausages, burger patties and a foil tray of corn cobs, with two thin curling white smoke shapes rising off it. A small wooden Jack Daniel's barrel with a brass tap mounted on the wall beside the door. A plain black speaker cabinet strapped to the right end of the railing. A blue inflatable kiddie pool wedged into the middle of the balcony, filled with water, three yellow rubber ducks floating in it. Peter Griffin sits in the kiddie pool, drawn exactly as in the show: shirtless, pale peach skin, huge round belly, small head, short brown hair parted at the front, thin oval wire glasses over large white eyes, prominent double-lobed chin, thin gold chain. Green swim trunks with jagged orange flame shapes. A lit cigarette held in his right hand near his mouth, thin smoke rising. Heavy-lidded, smug, contented expression, looking out over the railing.