PROMPT RECORD图像记录

一张照片进 → 六个机位角度出。🎬 我为 GPT Image 2 编写了一个主提示词，可以将任意一张广角镜头照片，从 6 个不同的相机机位重新构建成同一个场景，输出为干净的 3×2 网格。 从...

中文说明

一张照片进 → 六个机位角度出。🎬 我为 GPT Image 2 编写了一个主提示词，可以将任意一张广角镜头照片，从 6 个不同的相机机位重新构建成同一个场景，输出为干净的 3×2 网格。 从一张图像中你可以得到： 📷 广角主镜头（与原图一致） 🔝 从天花板俯拍的正俯视视角 🎙 来自左侧人物的过肩镜头 🎙 来自右侧人物的反向过肩镜头 📐 贴近地面的低角度四分之三镜头 👤 85mm 浅景深人像特写 相同的人脸、相同的家具、相同的光线、相同的墙面文字 —— 只有相机在移动。可用于播客布景、室内空间、产品场景，甚至是单人物镜头（会自动适配）。 为什么这很重要：这个网格就是一份现成的镜头清单。把每个面板分别作为首帧送入 Seedance / Veo，就能从一张照片生成完整的多机位序列。 小贴士： * 在界面中将宽高比设...

原始 Prompt

One photo in → six camera angles out. 🎬

I built a master prompt for GPT Image 2 that takes ANY wide shot and rebuilds the same scene from 6 different camera positions in a clean 3x2 grid.

What you get from a single image:

📷 Wide master shot (same as your original)
🔝 Top-down overhead view from the ceiling
🎙 Over-the-shoulder from the left subject
🎙 Reverse over-the-shoulder from the right subject
📐 Low-angle three-quarter shot from the floor
👤 85mm close-up with shallow depth of field

Same faces, same furniture, same lighting, same wall text — only the camera moves. Works for podcast sets, interiors, product scenes, even single-person shots (it auto-adjusts).

Why this matters: this grid is a ready-made shot list. Drop each panel into Seedance / Veo as a first frame and you have a full multi-cam sequence from one photo.

Tips:
* Set aspect ratio to 16:9 or 3:2 in the UI
* Use a clear, well-lit wide shot as input
* If one panel drifts, fix just that panel in Nano Banana Pro instead of regenerating everything

Prompt is below 👇

Using the attached image as the single source of truth, create ONE image that is a clean 3-column by 2-row grid of six photographs of the EXACT same scene, captured from six different camera positions, as if six cameras were placed around the room at the same instant.

Lock everything from the attached image: the same people with the same faces, hair, skin tone, glasses, clothing and body proportions; the same furniture, props, walls, signage with the same text, lighting setup and color grade; the same time of day. Nothing is added, removed, or rearranged — only the camera position, lens and framing change between panels. Every object stays in the same physical place in the room, so the spatial relationships remain consistent from angle to angle.

Panel 1 (top-left): Wide master shot — the same framing and camera position as the attached image, eye-level, 35mm lens, the full scene visible.

Panel 2 (top-center): High-angle top-down shot — camera mounted directly above the center of the scene looking straight down at the floor, 24mm lens, showing the layout of the furniture, props and people from above, like a ceiling camera.

Panel 3 (top-right): Over-the-shoulder shot from behind the subject on the LEFT of the original image, looking across at the subject on the RIGHT, 50mm lens at f/2.0, the near shoulder soft in the foreground, the far subject sharp.

Panel 4 (bottom-left): Reverse over-the-shoulder shot from behind the subject on the RIGHT of the original image, looking across at the subject on the LEFT, 50mm lens at f/2.0, near shoulder soft, far subject sharp.

Panel 5 (bottom-center): Low-angle three-quarter shot — camera placed low near floor height at the front-left corner of the scene, tilted slightly upward, 28mm lens, showing the scene with depth toward the back wall.

Panel 6 (bottom-right): Tight close-up on the main subject's face and upper body, 85mm lens at f/1.8, eye-level, shallow depth of field, background softly blurred, natural skin texture, catchlights in the eyes.

If the scene contains only one person, apply the over-the-shoulder panels as a three-quarter side angle from the left and from the right of that person instead. If the scene contains no people, treat the main object or furniture group as the subject for panels 3, 4 and 6.

Grid rules: six equal-sized panels, thin clean white gutters between them, no borders, no text labels, no numbers, no captions, no watermarks inside the image. All six panels share identical photographic style: photorealistic, same white balance, same exposure, same color grade, same subtle film grain, consistent lighting direction as in the attached image. Sharp, professional, real-camera look in every panel.