PROMPT RECORD图像记录
挑选第一帧,用 Seedream 将其重新想象为现实 提示语 :: 将此帧转换为照片级真实的实景镜头。Image 1 是一部动画卡通的一个镜头,任何卡通外观都不能保留:没有赛璐珞描线阴影,没有...
中文说明
挑选第一帧,用 Seedream 将其重新想象为现实 提示语 :: 将此帧转换为照片级真实的实景镜头。Image 1 是一部动画卡通的一个镜头,任何卡通外观都不能保留:没有赛璐珞描线阴影,没有平涂颜色,没有墨线轮廓。真实的街道、真实的车辆、真实的沥青,细腻的电影胶片颗粒,1990 年代电影质感。 镜头设定。夜晚,从一栋屋顶边缘垂直向下俯拍,相机向街道方向倾斜约 70 度。黑暗的屋顶角落以带矮女儿墙的黑色楔形填充画面下半部分。画面中任何位置都不得出现地平线、天空或城市天际线;画面仅有屋顶和街道。必须严格保持此相机角度、此构图与比例关系:车辆很小,从极高处俯瞰。 车辆布置,与 Image 1 中的位置完全一致。左上中部:Image 4 中的青绿色厢式货车,车头朝向左下方,正驶向屋顶角落。其后方的右上方中部:两辆黑白...
原始 Prompt
Pick the first frame, and reimagine it into reality with Seedream
Prompt is :: CONVERT THIS FRAME TO PHOTOREALISTIC LIVE ACTION. Image 1 is one frame of an animated cartoon and NO cartoon look may survive: no cel shading, no flat colours, no ink outlines. Real streets, real vehicles, real asphalt, fine photographic film grain, 1990s cinema.
THE SHOT. A straight-down overhead from the edge of a rooftop at night, camera tilted about 70 degrees toward the street. The dark rooftop corner fills the bottom half of the frame as a black wedge with a low parapet. NO horizon, NO sky and NO skyline are visible anywhere; the frame is rooftop and street only. Keep exactly this camera angle, this framing and this scale: the vehicles are small, seen from far above.
THE VEHICLES, exactly as placed in Image 1. Upper centre-left: the teal-green delivery truck from Image 4, cab pointing down-left, driving toward the rooftop corner. Behind it, upper centre-right: TWO black-and-white 1930s police cars in pursuit with red roof lights, headlight beams streaking forward, motion-blurred. Far left edge: a THIRD black-and-white police car, partly cut off by the frame. No other vehicles. The truck keeps the teal body, vertical chrome grille and rust-brown canvas tarp of Image 4, seen from above.
The street is wet asphalt under a dim streetlamp glow, a traffic signal at the upper right, aged brick and stone building facades at the upper corners exactly where Image 1 has them, in deep shadow.
NO PEOPLE in this frame. No caped figure, no driver, no pedestrian. Image 2 and Image 3 are identity sheets for characters who are NOT in this shot; take nothing from them. Image 4 is only the identity of the truck; do not copy its studio background, lighting or angle.
Output one single full-frame 16:9 image, no borders, no panels, no text.