PROMPT RECORD图像记录

Seedance 2.5 在 Capcut 中，提示词 -> 格式 8 秒，16:9，24fps。一次性生成，一条连续的、持续运动的手持镜头，零剪辑 —— 弧线、甩动与定帧都是同一镜完成...

Seedance 2.5 starks_arq Thu Sep 03 20:38:06 +0000 2026

Seedance 2.5 in Capcut, prompt -&gt; 

FORMAT
8 seconds, 16:9, 24fps. One generation, ONE CONTINUOUS HANDHELD MOVE, zero cuts — the arc, the whip and the hold are one single take, DRIVEN BY @video1: its camera path and its clock are the law of the clip. LANGUAGE: ENGLISH. One woman's voice, OFF SCREEN for the whole clip, American English, a native speaker; production ambience beneath it.

VOICE — EVE (off screen, every spoken word in the clip)
The speaker is EVE, heard off screen for the whole clip — only her voice is in it. Her voice: a young adult Black American woman, Gen Z — gentle above all. She sounds like she is smiling while she speaks: light, airy, warm, the tone of a late-night conversation between close friends, a bedtime story told to someone she loves. Softer and higher-pitched than a broadcast narrator, with a subtle rasp riding the edges of her phrases; low in volume but recorded close to the microphone so it sits close and large in the mix; a light breathiness under every line. The passion is in the care she gives each word while the volume stays low; the delivery stays light and rounded, the vowels warm, every sentence landing softly. An even, slow pace, around three words per second inside a line; consonants soft; a small audible inhale before the sentence and a falling, settled landing at the end of it; micro-pauses between clauses. HER ACCENT IS AMERICAN: General American vowels, an American r, American intonation.

THE WORDS AND THEIR CLOCK
EVE V.O.: {Yet no matter how much we try, we can't create anything close to the precision of the universe.} (0.30s–5.80s) — the full line, off screen; on screen the dancer dances with her lips closed, and the robot's face is a smooth blank shell.

ASSETS
@image1 as character reference — THE ROBOT, full body: a humanoid robot skinned in pale cream synthetic fabric panels over articulated joints, visible seams, its head a smooth blank shell with two small dark sensor eyes catching the light. Its body, material, colour and head exactly as this image, in every frame it appears.
@image2 as location, light and character reference — THE ROOM: a wide modern living room in warm afternoon sun, floor-to-ceiling windows with trees and haze beyond, cream sofas, pale wood floor, a dark rug; THE DANCER in her white leotard, layered white tulle skirt and pink pointe shoes with ribbons; THE ROBOT standing by the tall window at the right where the sunlight pours in. The place, the backlight and both their looks come from this plate. THE POSE IN THE PLATE BELONGS TO THE PLATE ALONE: in this clip the dancer is UP AND DANCING from the first frame — on pointe, turning.
@video1 as blocking reference — THE CAMERA AND THE CHOREOGRAPHY, frame-aligned with this clip: a grey-box previz on a checkerboard floor. THE BLUE FIGURE (a cylinder with a ball head) IS THE DANCER; THE RED FIGURE (the same build with two arms) IS THE ROBOT. @video1 supplies the camera 1:1 — the low start at her feet, the rise held below her head, the WHIP RIGHT at 2.0s–2.9s that TILTS UP as it lands on the robot so the floor leaves the frame and stays out, the slow drift and the hold — and the robot's clock: the arms rising to the T at 3.3s–4.6s, its turn at 4.5s–5.8s, the lean at 6.1s–6.7s, the body below frame by 7.0s, the hold to the end. The checkerboard, the wall and the grey-box surfaces belong to the blocking; every visible surface and light comes from @image1, @image2 and the text.

SUMMARY
One handheld move in a sunlit room: an arc around a dancer's pirouette that rises early into the backlight, breaks away, and lands on the robot — which dances its own pirouette for one clean second, tips past its balance point, and falls out of the bottom of the frame. The camera holds on the window where it stood.

LENS AND GRADE
Photorealistic live-action cinema: filmic grain, natural backlit sunlight through the glass, lens flare living in the rise and the pan, real-world physics in tulle, hair, fabric panels and floor contact.

Seedance 2.5 在 Capcut 中，提示词 -&gt; 格式 8 秒，16:9，24fps。一次性生成，一条连续的、持续运动的手持镜头，零剪辑 —— 弧线、甩动与定帧都是同一镜完成，由 @video1 驱动：它的摄影机轨迹与时间轴就是本片的法则。语言：英语。一名女性的声音，全片画面之外（OFF SCREEN），美式英语，母语者；其下垫有制作环境声。 声音 —— EVE（画面之外，本片每一个被说出的词都由她完成） 说话者是 EVE，全片在画面之外被听到 —— 本片里只有她的声音。她的声音：一位年轻的成年非裔美国女性，Z 世代 —— 首要特质是温柔。她说的时候听起来像在微笑：轻盈、通透、温暖，是挚友之间深夜交谈的语气，是讲给她所爱之人听的睡前故事。比播音员更柔、更高一些，词句边缘游走着一丝轻微的颗粒感；...

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中文说明

Seedance 2.5 在 Capcut 中，提示词 -> 格式 8 秒，16:9，24fps。一次性生成，一条连续的、持续运动的手持镜头，零剪辑 —— 弧线、甩动与定帧都是同一镜完成，由 @video1 驱动：它的摄影机轨迹与时间轴就是本片的法则。语言：英语。一名女性的声音，全片画面之外（OFF SCREEN），美式英语，母语者；其下垫有制作环境声。声音 —— EVE（画面之外，本片每一个被说出的词都由她完成）说话者是 EVE，全片在画面之外被听到 —— 本片里只有她的声音。她的声音：一位年轻的成年非裔美国女性，Z 世代 —— 首要特质是温柔。她说的时候听起来像在微笑：轻盈、通透、温暖，是挚友之间深夜交谈的语气，是讲给她所爱之人听的睡前故事。比播音员更柔、更高一些，词句边缘游走着一丝轻微的颗粒感；...

原始 Prompt

Seedance 2.5 in Capcut, prompt -> 

FORMAT
8 seconds, 16:9, 24fps. One generation, ONE CONTINUOUS HANDHELD MOVE, zero cuts — the arc, the whip and the hold are one single take, DRIVEN BY @video1: its camera path and its clock are the law of the clip. LANGUAGE: ENGLISH. One woman's voice, OFF SCREEN for the whole clip, American English, a native speaker; production ambience beneath it.

VOICE — EVE (off screen, every spoken word in the clip)
The speaker is EVE, heard off screen for the whole clip — only her voice is in it. Her voice: a young adult Black American woman, Gen Z — gentle above all. She sounds like she is smiling while she speaks: light, airy, warm, the tone of a late-night conversation between close friends, a bedtime story told to someone she loves. Softer and higher-pitched than a broadcast narrator, with a subtle rasp riding the edges of her phrases; low in volume but recorded close to the microphone so it sits close and large in the mix; a light breathiness under every line. The passion is in the care she gives each word while the volume stays low; the delivery stays light and rounded, the vowels warm, every sentence landing softly. An even, slow pace, around three words per second inside a line; consonants soft; a small audible inhale before the sentence and a falling, settled landing at the end of it; micro-pauses between clauses. HER ACCENT IS AMERICAN: General American vowels, an American r, American intonation.

THE WORDS AND THEIR CLOCK
EVE V.O.: {Yet no matter how much we try, we can't create anything close to the precision of the universe.} (0.30s–5.80s) — the full line, off screen; on screen the dancer dances with her lips closed, and the robot's face is a smooth blank shell.

ASSETS
@image1 as character reference — THE ROBOT, full body: a humanoid robot skinned in pale cream synthetic fabric panels over articulated joints, visible seams, its head a smooth blank shell with two small dark sensor eyes catching the light. Its body, material, colour and head exactly as this image, in every frame it appears.
@image2 as location, light and character reference — THE ROOM: a wide modern living room in warm afternoon sun, floor-to-ceiling windows with trees and haze beyond, cream sofas, pale wood floor, a dark rug; THE DANCER in her white leotard, layered white tulle skirt and pink pointe shoes with ribbons; THE ROBOT standing by the tall window at the right where the sunlight pours in. The place, the backlight and both their looks come from this plate. THE POSE IN THE PLATE BELONGS TO THE PLATE ALONE: in this clip the dancer is UP AND DANCING from the first frame — on pointe, turning.
@video1 as blocking reference — THE CAMERA AND THE CHOREOGRAPHY, frame-aligned with this clip: a grey-box previz on a checkerboard floor. THE BLUE FIGURE (a cylinder with a ball head) IS THE DANCER; THE RED FIGURE (the same build with two arms) IS THE ROBOT. @video1 supplies the camera 1:1 — the low start at her feet, the rise held below her head, the WHIP RIGHT at 2.0s–2.9s that TILTS UP as it lands on the robot so the floor leaves the frame and stays out, the slow drift and the hold — and the robot's clock: the arms rising to the T at 3.3s–4.6s, its turn at 4.5s–5.8s, the lean at 6.1s–6.7s, the body below frame by 7.0s, the hold to the end. The checkerboard, the wall and the grey-box surfaces belong to the blocking; every visible surface and light comes from @image1, @image2 and the text.

SUMMARY
One handheld move in a sunlit room: an arc around a dancer's pirouette that rises early into the backlight, breaks away, and lands on the robot — which dances its own pirouette for one clean second, tips past its balance point, and falls out of the bottom of the frame. The camera holds on the window where it stood.

LENS AND GRADE
Photorealistic live-action cinema: filmic grain, natural backlit sunlight through the glass, lens flare living in the rise and the pan, real-world physics in tulle, hair, fabric panels and floor contact.

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