Seedance 2.5 提示词与角色设定表 global_rule: 所有音频均为场景原生,并在模型内生成。不使用外部音乐、不添加配乐、不加笑声轨、不使用第二声道。每一个声音都属于场景内声源...

Seedance 2. Dheepanratnam Mon Sep 07 15:23:00 +0000 2026

Seedance 2. 5 Prompt and character sheets

global_rule: All audio is native to the scene and generated in-model. No external music, no added score, no laugh track, no second voice. Every sound is diegetic.

[Generation Goal]
Generate one continuous 30-second comedy scene cut into six shots. The central subjects are four meme characters attending a group therapy session together: DOGE, a photoreal shiba inu with tan, white and black fur and a curled tail; PEPE, a green anthropomorphic frog with large expressive eyes wearing a blue long-sleeved shirt, brown shorts and brown shoes; WOJAK, a bald sad man in a loose white t-shirt, white pants and white sneakers with a permanently downturned mouth; and BEAR, a tan cartoon-style bear with a large black bulbous nose wearing a gray crewneck sweater, blue jeans with rolled cuffs and red sneakers. The scene: a quiet, awkward support-group session in a shabby community center where nothing gets resolved and everyone is exactly who they are. Nobody sings, nobody dances, nobody stands up.

[Reference Material Roles]
[IMAGE REFERENCE 1] defines ONLY DOGE: the shiba inu's face, tan-white-and-black double coat, curled tail and proportions. Do not use its gray studio background, grid lines, labels, standing pose or four-view character-sheet layout. No turnaround, no panels, exactly one copy of him.
[IMAGE REFERENCE 2] defines ONLY PEPE: the frog's head, large eyes, wide mouth, blue long-sleeved shirt, brown shorts and brown shoes. Do not use its gray studio background, guide lines, labels or four-view layout. Exactly one copy of him.
[IMAGE REFERENCE 3] defines ONLY WOJAK: the bald head, sad sunken eyes with heavy brows, downturned mouth, thin slumped build, white t-shirt, white pants and white sneakers. Do not use its gray background, dashed lines, labels or four-view layout. Exactly one copy of him.
[IMAGE REFERENCE 4] defines ONLY BEAR: the tan fur, big black bulbous nose, small ears, gray crewneck sweater with ribbed cuffs and hem, light blue jeans with rolled cuffs and red sneakers with white soles. Do not use its gray background, guide lines, labels or four-view layout. Exactly one copy of him.
All four characters are present in the scene from the first frame. All speech, music and sound effects are generated inside the model as described in [Audio].

[Audio]
A calm, kind off-screen therapist — a woman's voice, gentle and professional — speaks a few quiet lines from just outside the frame. PEPE speaks with a croaky, emotional, theatrical voice, sniffling between words. WOJAK speaks in a flat, monotone, defeated mumble, barely moving his mouth. BEAR speaks with a warm, relaxed, slightly smug voice. DOGE does not speak — his only sound is a single quiet "wow." at the very end. A cheap wall radio plays soft, low, muffled jazz muzak in the background of every shot. Room tone: fluorescent light hum, a ticking wall clock, folding chairs creaking, tissue dabbing, BEAR sipping tea from a ceramic mug. Motions and mouths match the spoken lines exactly. No music beyond the radio, no second therapist voices, no laughing track.

[Subjects and Relationships]
The four are strangers forced into a circle of folding chairs. PEPE is openly, theatrically miserable and uses the group as therapy. WOJAK is quietly, existentially defeated and says almost nothing. DOGE sits upright on his folding chair, judging everyone with a raised skeptical eyebrow and a side-eye stare, saying nothing. BEAR is completely content, hands in his sweater, sipping tea, oblivious to the misery around him. The therapist is never seen and never appears in frame.

[Scene]
A shabby community-center group therapy room in the afternoon. Beige walls with scuffed baseboards, a linoleum floor, four plain folding chairs in a rough circle, a box of tissues in the middle, a water cooler, a wall clock, a cheap wall radio, a desk lamp glowing warm, and a window with blinds letting in soft afternoon light. The room is quiet, institutional and slightly sad. Nobody moves from their chair at any point.

[Event Script]
0 to 5 seconds: wide establishing shot of the room: the four characters in the circle — PEPE hunched forward dabbing his eyes with a tissue, WOJAK slumped staring at the floor, DOGE sitting bolt upright on his chair with the raised-brow side-eye aimed at the group, BEAR relaxed, hands in his sweater pocket, waiting. The radio plays low jazz. The therapist's voice, gentle: "Welcome. Who would like to go first?"
5 to 10 seconds: hard cut to a close-up of PEPE, big frog tears rolling, his voice croaking with emotion as he gestures wildly: "Everyone used to think I was funny… now I can't even get a reaction." He blows his nose into the tissue. "Feels bad, man."
10 to 15 seconds: hard cut to a close-up of WOJAK, staring straight ahead, monotone and flat: "My therapist quit. After one session. With me." A long beat. "So I came here." He looks at the ceiling. "It is what it is."
15 to 20 seconds: hard cut to a close-up of DOGE. He says nothing. He holds the raised skeptical eyebrow and side-eye stare directly at the group — then slowly at the camera — for the entire block, ears alert, one slow blink, utterly judgmental silence.
20 to 25 seconds: hard cut to a close-up of BEAR, warm and relaxed, lifting his mug for a sip: "I'm doing great, actually. This group is lovely." Beat. "Does anybody want to talk about their feelings?" He takes a satisfied sip and settles back, hands back in his pockets. "No? More tea for me."
25 to 30 seconds: hard cut back to a wide shot with a slow push-in: the therapist, off-screen: "We're out of time. You're all valid." PEPE lets out one more theatrical sob. WOJAK stares at the ceiling, barely audible: "It is what it is." BEAR scoops the entire tissue box off the floor and tucks it under his arm like a prize. DOGE, still side-eyeing the group, quietly says: "wow." End state: the four of them sitting in silence, DOGE's side-eye the last thing in frame.

[Camera]
Every shot is operated by a real person with a shoulder-mounted camera: organic sway and micro-drift, small reframing corrections, a slow push-in in the final shot, slow zooms within shots. Shots run four to five seconds. Hard cuts only, no dissolves or fades. No impossible macro shots, no crane or drone moves, no camera crossing the circle.

[Lighting and Style]
Soft afternoon light through the blinds mixing with a warm desk-lamp glow and cool fluorescent overheads. Muted institutional palette: beige, green-grey, warm tungsten. Faces read clearly, nobody falls into silhouette. Fine 35mm film grain, gentle bloom on the window light, subtle chromatic aberration, slight softness, muted warm color.

[Physics]
Everyone stays seated the entire time — nothing stands up, nothing tips over. PEPE's tears bead and roll naturally without flooding his face. WOJAK's body stays slumped and still, only his mouth and eyes moving. BEAR's mug has real weight and his sip is real. DOGE's fur texture, ears and curled tail stay constant. All four faces, shapes and outfits keep a constant stable shape at all times — no stretching, warping, melting or blending into each other or the background. Nobody's hands or arms clip through another character or the chair. Mouths match the spoken lines exactly, syllable by syllable. The radio hum, clock ticking and chair creaks stay continuous across shots.

[Maintain Consistency]
Keep the room, the four chairs, the tissue box, the window light and all four characters' designs identical across all six shots — DOGE exactly as in reference 1, PEPE as in reference 2, WOJAK as in reference 3, BEAR as in reference 4. One continuous group therapy room throughout.

[Locks]
Exactly one copy of each character, no duplicates, no split panels, no studio backdrop. Only these four characters and the off-screen therapist voice. The therapist never appears on camera. Nobody sings, dances, or raises their voice. No on-screen text, captions, readable words, poster writing, brand names or logos anywhere — the posters on the wall are blank. No phones, no laptops. No animals other than DOGE. No birds, no insects. No one leaves a chair, no one enters the frame after the first shot. Everyone stays fully clothed. No cookware, no pans.

Seedance 2.5 提示词与角色设定表 global_rule: 所有音频均为场景原生,并在模型内生成。不使用外部音乐、不添加配乐、不加笑声轨、不使用第二声道。每一个声音都属于场景内声源(diegetic)。 [Generation Goal] 生成一段连续的 30 秒喜剧场景,切成 6 个镜头。中心主体是四个表情包角色一起参加团体治疗:DOGE,一只照片级写实的柴犬,毛发为棕、白、黑三色,尾巴卷曲;PEPE,一只绿色的拟人化青蛙,眼睛大而有表现力,身穿蓝色长袖衬衫、棕色短裤和棕色鞋子;WOJAK,一个光头的悲伤男人,穿着宽松的白色 T 恤、白色裤子和白色运动鞋,嘴角永远下弯;以及 BEAR,一只棕色的卡通风格熊,长着又大又圆又黑的鼻子,身穿灰色圆领毛衣、卷起裤脚的蓝色牛仔裤和红色运动鞋。场景:在一个破旧...

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中文说明

Seedance 2.5 提示词与角色设定表 global_rule: 所有音频均为场景原生,并在模型内生成。不使用外部音乐、不添加配乐、不加笑声轨、不使用第二声道。每一个声音都属于场景内声源(diegetic)。 [Generation Goal] 生成一段连续的 30 秒喜剧场景,切成 6 个镜头。中心主体是四个表情包角色一起参加团体治疗:DOGE,一只照片级写实的柴犬,毛发为棕、白、黑三色,尾巴卷曲;PEPE,一只绿色的拟人化青蛙,眼睛大而有表现力,身穿蓝色长袖衬衫、棕色短裤和棕色鞋子;WOJAK,一个光头的悲伤男人,穿着宽松的白色 T 恤、白色裤子和白色运动鞋,嘴角永远下弯;以及 BEAR,一只棕色的卡通风格熊,长着又大又圆又黑的鼻子,身穿灰色圆领毛衣、卷起裤脚的蓝色牛仔裤和红色运动鞋。场景:在一个破旧...

原始 Prompt

Seedance 2. 5 Prompt and character sheets

global_rule: All audio is native to the scene and generated in-model. No external music, no added score, no laugh track, no second voice. Every sound is diegetic.

[Generation Goal]
Generate one continuous 30-second comedy scene cut into six shots. The central subjects are four meme characters attending a group therapy session together: DOGE, a photoreal shiba inu with tan, white and black fur and a curled tail; PEPE, a green anthropomorphic frog with large expressive eyes wearing a blue long-sleeved shirt, brown shorts and brown shoes; WOJAK, a bald sad man in a loose white t-shirt, white pants and white sneakers with a permanently downturned mouth; and BEAR, a tan cartoon-style bear with a large black bulbous nose wearing a gray crewneck sweater, blue jeans with rolled cuffs and red sneakers. The scene: a quiet, awkward support-group session in a shabby community center where nothing gets resolved and everyone is exactly who they are. Nobody sings, nobody dances, nobody stands up.

[Reference Material Roles]
[IMAGE REFERENCE 1] defines ONLY DOGE: the shiba inu's face, tan-white-and-black double coat, curled tail and proportions. Do not use its gray studio background, grid lines, labels, standing pose or four-view character-sheet layout. No turnaround, no panels, exactly one copy of him.
[IMAGE REFERENCE 2] defines ONLY PEPE: the frog's head, large eyes, wide mouth, blue long-sleeved shirt, brown shorts and brown shoes. Do not use its gray studio background, guide lines, labels or four-view layout. Exactly one copy of him.
[IMAGE REFERENCE 3] defines ONLY WOJAK: the bald head, sad sunken eyes with heavy brows, downturned mouth, thin slumped build, white t-shirt, white pants and white sneakers. Do not use its gray background, dashed lines, labels or four-view layout. Exactly one copy of him.
[IMAGE REFERENCE 4] defines ONLY BEAR: the tan fur, big black bulbous nose, small ears, gray crewneck sweater with ribbed cuffs and hem, light blue jeans with rolled cuffs and red sneakers with white soles. Do not use its gray background, guide lines, labels or four-view layout. Exactly one copy of him.
All four characters are present in the scene from the first frame. All speech, music and sound effects are generated inside the model as described in [Audio].

[Audio]
A calm, kind off-screen therapist — a woman's voice, gentle and professional — speaks a few quiet lines from just outside the frame. PEPE speaks with a croaky, emotional, theatrical voice, sniffling between words. WOJAK speaks in a flat, monotone, defeated mumble, barely moving his mouth. BEAR speaks with a warm, relaxed, slightly smug voice. DOGE does not speak — his only sound is a single quiet "wow." at the very end. A cheap wall radio plays soft, low, muffled jazz muzak in the background of every shot. Room tone: fluorescent light hum, a ticking wall clock, folding chairs creaking, tissue dabbing, BEAR sipping tea from a ceramic mug. Motions and mouths match the spoken lines exactly. No music beyond the radio, no second therapist voices, no laughing track.

[Subjects and Relationships]
The four are strangers forced into a circle of folding chairs. PEPE is openly, theatrically miserable and uses the group as therapy. WOJAK is quietly, existentially defeated and says almost nothing. DOGE sits upright on his folding chair, judging everyone with a raised skeptical eyebrow and a side-eye stare, saying nothing. BEAR is completely content, hands in his sweater, sipping tea, oblivious to the misery around him. The therapist is never seen and never appears in frame.

[Scene]
A shabby community-center group therapy room in the afternoon. Beige walls with scuffed baseboards, a linoleum floor, four plain folding chairs in a rough circle, a box of tissues in the middle, a water cooler, a wall clock, a cheap wall radio, a desk lamp glowing warm, and a window with blinds letting in soft afternoon light. The room is quiet, institutional and slightly sad. Nobody moves from their chair at any point.

[Event Script]
0 to 5 seconds: wide establishing shot of the room: the four characters in the circle — PEPE hunched forward dabbing his eyes with a tissue, WOJAK slumped staring at the floor, DOGE sitting bolt upright on his chair with the raised-brow side-eye aimed at the group, BEAR relaxed, hands in his sweater pocket, waiting. The radio plays low jazz. The therapist's voice, gentle: "Welcome. Who would like to go first?"
5 to 10 seconds: hard cut to a close-up of PEPE, big frog tears rolling, his voice croaking with emotion as he gestures wildly: "Everyone used to think I was funny… now I can't even get a reaction." He blows his nose into the tissue. "Feels bad, man."
10 to 15 seconds: hard cut to a close-up of WOJAK, staring straight ahead, monotone and flat: "My therapist quit. After one session. With me." A long beat. "So I came here." He looks at the ceiling. "It is what it is."
15 to 20 seconds: hard cut to a close-up of DOGE. He says nothing. He holds the raised skeptical eyebrow and side-eye stare directly at the group — then slowly at the camera — for the entire block, ears alert, one slow blink, utterly judgmental silence.
20 to 25 seconds: hard cut to a close-up of BEAR, warm and relaxed, lifting his mug for a sip: "I'm doing great, actually. This group is lovely." Beat. "Does anybody want to talk about their feelings?" He takes a satisfied sip and settles back, hands back in his pockets. "No? More tea for me."
25 to 30 seconds: hard cut back to a wide shot with a slow push-in: the therapist, off-screen: "We're out of time. You're all valid." PEPE lets out one more theatrical sob. WOJAK stares at the ceiling, barely audible: "It is what it is." BEAR scoops the entire tissue box off the floor and tucks it under his arm like a prize. DOGE, still side-eyeing the group, quietly says: "wow." End state: the four of them sitting in silence, DOGE's side-eye the last thing in frame.

[Camera]
Every shot is operated by a real person with a shoulder-mounted camera: organic sway and micro-drift, small reframing corrections, a slow push-in in the final shot, slow zooms within shots. Shots run four to five seconds. Hard cuts only, no dissolves or fades. No impossible macro shots, no crane or drone moves, no camera crossing the circle.

[Lighting and Style]
Soft afternoon light through the blinds mixing with a warm desk-lamp glow and cool fluorescent overheads. Muted institutional palette: beige, green-grey, warm tungsten. Faces read clearly, nobody falls into silhouette. Fine 35mm film grain, gentle bloom on the window light, subtle chromatic aberration, slight softness, muted warm color.

[Physics]
Everyone stays seated the entire time — nothing stands up, nothing tips over. PEPE's tears bead and roll naturally without flooding his face. WOJAK's body stays slumped and still, only his mouth and eyes moving. BEAR's mug has real weight and his sip is real. DOGE's fur texture, ears and curled tail stay constant. All four faces, shapes and outfits keep a constant stable shape at all times — no stretching, warping, melting or blending into each other or the background. Nobody's hands or arms clip through another character or the chair. Mouths match the spoken lines exactly, syllable by syllable. The radio hum, clock ticking and chair creaks stay continuous across shots.

[Maintain Consistency]
Keep the room, the four chairs, the tissue box, the window light and all four characters' designs identical across all six shots — DOGE exactly as in reference 1, PEPE as in reference 2, WOJAK as in reference 3, BEAR as in reference 4. One continuous group therapy room throughout.

[Locks]
Exactly one copy of each character, no duplicates, no split panels, no studio backdrop. Only these four characters and the off-screen therapist voice. The therapist never appears on camera. Nobody sings, dances, or raises their voice. No on-screen text, captions, readable words, poster writing, brand names or logos anywhere — the posters on the wall are blank. No phones, no laptops. No animals other than DOGE. No birds, no insects. No one leaves a chair, no one enters the frame after the first shot. Everyone stays fully clothed. No cookware, no pans.

35mm 胶片低饱和平视广角远景柔光忧郁多面板布局角色