PROMPT RECORD图像记录

用于该视频的四张参考图片。 我在 Krea AI 上用 Seedance 2.0 一次生成了整个序列。它比我预期的更贴合四镜头 CCTV 结构,尽管镜头切换和时间跳跃仍然需要一些清理。 那一次...

中文说明

用于该视频的四张参考图片。 我在 Krea AI 上用 Seedance 2.0 一次生成了整个序列。它比我预期的更贴合四镜头 CCTV 结构,尽管镜头切换和时间跳跃仍然需要一些清理。 那一次生成耗尽了我剩下的 Krea 积分,所以我让网页版 ChatGPT 完成了 MP4,并添加了时间戳和信号故障效果。 那么……你们都在哪里用 Seedance 又不会破产? 完整提示词如下 ↓ 创建一个连续的 15 秒、4:3 横版画质视频,以同一晚、同一间日本情人酒店的四个独立原始模拟 CCTV 录像片段呈现。 将 [Image 1]、[Image 2]、[Image 3] 和 [Image 4] 视为一个按时间顺序排列的监控分镜。 每张图片都是其所分配镜头的摄像机位置、镜头畸变、房间几何结构、灯光、构图、人物位置、服装、...

原始 Prompt

The four reference images used for the video.

I generated the whole sequence in a single pass with Seedance 2.0 on Krea AI. It followed the four-shot CCTV structure better than I expected, although the camera switches and time jumps still needed some cleanup.

That one generation wiped out the rest of my Krea credits, so I had ChatGPT on the web finish the MP4 with timestamps and signal glitches.

So... where are you all using Seedance without going broke?

Full prompt below ↓

Create one continuous 15-second, 4:3 landscape video presented as four separate raw analog CCTV recordings from the same Japanese love hotel on the same night.

Treat [Image 1], [Image 2], [Image 3], and [Image 4] as a chronological surveillance storyboard.

Each image is the sole authority for the camera position, lens distortion, room geometry, lighting, composition, character placement, clothing, hairstyle, body proportions, handbag, and initial physical state of its assigned shot.

The four images are separate recorded shots. Do not morph, blend, interpolate, or transform one location into another.

GLOBAL CAMERA AND EDITING RULES

Every shot comes from a different fixed ceiling-corner security camera, except Shots 3 and 4, which use the same fixed elevator camera at different moments.

Every camera remains completely locked. No pan, tilt, zoom, tracking, reframing, handheld movement, or cinematic camera motion.

All scene changes are instantaneous direct hard cuts.

No crossfades, dissolves, wipes, animated transitions, camera travel through doorways, or architectural transformation.

The same adult man and adult woman appear throughout. Preserve their exact clothing, height relationship, hair, body proportions, and handbag from the references.

SHOT 1 — 0 TO 4 SECONDS — USE [Image 1]

Begin directly from the exact corridor composition shown in [Image 1].

The couple continue walking away from the fixed camera in the existing direction. The woman remains slightly ahead on the right and gently leads the man by the hand. They take only two or three natural walking steps.

Her long hair and handbag move slightly with her walking. The man follows at the same pace.

They do not turn, stop, look at the camera, or reach another location during this shot.

At exactly the end of this shot, make an instantaneous hard cut.

SHOT 2 — 4 TO 7 SECONDS — USE [Image 2]

Cut directly to the exact elevator-lobby camera position, framing, and composition shown in [Image 2].

The couple stand outside the closed elevator doors in the same left-right arrangement. They remain close together and continue holding hands.

Only subtle natural waiting motion: slight breathing, a small shift of body weight, and minimal movement of the woman’s hair and handbag.

The elevator doors remain closed throughout this shot. The couple do not turn toward the camera and do not begin walking.

At the end of this shot, make an instantaneous hard cut to the camera inside the elevator.

SHOT 3 — 7 TO 11 SECONDS — USE [Image 3]

Cut directly to the exact fixed elevator-interior CCTV view shown in [Image 3].

Begin with the elevator doors partially open and the couple still completely outside the threshold, exactly as shown in [Image 3].

The elevator doors continue opening to their full width at a normal mechanical speed. The man enters first from the left, and the woman follows from the right while carrying her handbag in her right hand.

They take only one or two natural steps into the elevator. Their hands may remain joined. Both people finish just inside the elevator with their arms lowered.

No embrace, no raised arms, no kiss, and no turning toward the camera in this shot.

At the end of this shot, make a direct jump cut to a slightly later moment recorded by the same elevator camera.

SHOT 4 — 11 TO 15 SECONDS — USE [Image 4]

Cut directly to the exact fixed elevator composition and later physical state shown in [Image 4].

The elevator doors are now closed. The man has his back toward the camera. The woman already has her arms around his shoulders exactly as shown in [Image 4].

Preserve the handbag’s visible position and do not create extra arms, hands, fingers, straps, or bags.

Only minimal natural motion: slight breathing, a very small body sway, and subtle movement of the woman’s hair. Do not develop the action further. No kiss and no additional intimate action.

During only the final fraction of a second, create one very brief analog signal tear, then cut immediately to a completely black frame.

FINAL RESTRICTIONS

No split screen, no collage, no four-panel layout, and no simultaneous display of the reference images.

No duplicated people, no extra people, no identity changes, no clothing changes, no disappearing handbag, and no altered room geometry.

Do not introduce readable captions, subtitles, logos, camera labels, dates, or timestamp text.