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标题:VELVET NOVA — 第二部分:现场星座 格式 时长精确为 15 秒,16:9 宽屏,超写实高端韩流广播演唱会影片,原生同步立体声音频。一段快速但连贯的多机位表演,包含完全相同的五...

AI 图像 PromptSin Fri Aug 07 16:43:31 +0000 2026
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标题:VELVET NOVA — 第二部分:现场星座 格式 时长精确为 15 秒,16:9 宽屏,超写实高端韩流广播演唱会影片,原生同步立体声音频。一段快速但连贯的多机位表演,包含完全相同的五位成年成员、同步编曲、现场演唱、庞大的互动观众以及严格的舞台连贯性。 全向参考 - 使用 [REF_1] 作为精确的主角身份与造型参考。每一镜头都须严格保留五位 22–28 岁的成年女性,保持完全相同的面孔、发型、服装颜色、配饰、靴子及成年体型比例。 - 使用 [REF_2] 作为舞台入口与延伸台地理参考,建立新月形 LED 拱门、星座视觉、观众布局与紫红灯光。 - 使用 [REF_3] 作为精确的主表演参考:五人队形、无线麦克风、光泽舞台、LED 架构、灯光色板以及峰值演唱会能量。 全局连贯性 每一次镜头切换都须保持相同...

原始 Prompt

TITLE: VELVET NOVA — PART 2: LIVE CONSTELLATION

FORMAT
Exactly 15 seconds, 16:9 widescreen, ultra-photorealistic premium K-pop broadcast concert film with native synchronized stereo audio. A fast but coherent multi-camera performance featuring exactly the same five adult members, synchronized choreography, live singing, an enormous responsive audience and strict stage continuity.

OMNI REFERENCES
- Use [REF_1] as the exact master identity and wardrobe reference. Preserve exactly five adult women, aged 22–28, with identical faces, hairstyles, costume colors, accessories, boots and adult proportions in every shot.
- Use [REF_2] as the stage entrance and runway geography reference, establishing the crescent LED arches, constellation visuals, audience layout and violet-magenta lighting.
- Use [REF_3] as the exact main performance reference: five-member formation, wireless microphones, glossy stage, LED architecture, lighting palette and peak concert energy.

GLOBAL CONTINUITY
Maintain the same arena geography and screen direction across every camera cut. JIYU remains the platinum-blonde center in midnight blue. MIRA remains black/silver, SORA ivory/rose, HANA burgundy/black and RIN violet/black. All five carry one sleek black wireless microphone. Their outfits and hairstyles never change. Choreography is energetic but anatomically plausible, synchronized and non-sexualized. No backup dancers.

PERFORMANCE TIMELINE
0.0–3.0 seconds — FRONT WIDE
Begin on the exact final energy of Part 1 with the first musical downbeat, then cut to the front-of-house wide composition of [REF_3]. All five perform a sharp synchronized opening combination: two lateral steps, coordinated shoulder turn, free arms extend upward on the beat, microphones remain controlled near their mouths. White beam fans open behind them and violet light sticks pulse together.

3.0–5.5 seconds — LEAD CLOSE-UP
Cut to a stabilized medium close-up tracking JIYU as she sings one short original English line: “We light the night, together we rise.” Her lips synchronize naturally and her expression is joyful and commanding. MIRA and SORA pass through soft background focus while continuing the choreography. Preserve JIYU’s platinum bob, navy military-Lolita-inspired jacket and facial identity exactly.

5.5–8.5 seconds — SIDE TRACKING FIVE-SHOT
Cut to a fast lateral camera moving from stage-left to stage-right, keeping all five performers visible in a diagonal formation. They execute a synchronized turn, skirt layers and coat tails following with realistic inertia, then face the audience and hit a clean pose. The audience, runway and crescent arches move with correct parallax. No body intersections or member swapping.

8.5–11.5 seconds — HIGH CRANE VIEW
Cut to a high crane shot looking down at the complete stage. The five members form a precise five-point star pattern around JIYU, then travel inward together while singing the hook with non-lexical “oh-oh” harmony. Violet and magenta LED constellations expand outward in response. The crowd creates coordinated waves of light without changing arena layout.

11.5–15.0 seconds — ORBIT TO HERO FORMATION
Cut to a low three-quarter camera that performs a controlled 80-degree clockwise orbit around the group as they move into the final formation from [REF_3]. Finish in a front-facing medium-wide hero shot with JIYU centered and all five clearly visible. They land one synchronized final beat, raise their free hands, smile at the crowd and hold for the last 0.5 seconds. End musically on a sustained chord and crowd roar, ready for the farewell in Part 3.

CAMERA AND EDITING
Professional concert-broadcast grammar with exactly five clean viewpoints: front wide, lead close-up, lateral tracking, high crane and controlled orbit. Hard cuts occur on musical beats. Preserve spatial orientation, member positions and stage design. Use realistic shutter motion blur only during movement. No random whip transitions, handheld instability, drone collision, impossible camera penetration or excessive cuts.

AUDIO
Native synchronized stereo mix of an original high-energy K-pop track: punchy electronic drums, bright synth bass, rhythmic claps, sparkling arpeggios and a powerful melodic hook that does not imitate any existing song. Blend live arena acoustics, synchronized crowd cheers, light-stick movement, footsteps and controlled microphone vocals. The only lexical lyric is: “We light the night, together we rise.” All remaining vocals are short non-lexical harmonies. Audio perspective changes naturally with camera distance. No copyrighted melody, distortion, narration or unrelated dialogue.

NEGATIVE CONSTRAINTS
No children, teenagers, school uniforms, infantilized features, sexualized choreography, real celebrities, existing group resemblance, extra or missing members, duplicated faces, face swapping, hairstyle changes, costume changes, member teleportation, backup dancers, extra microphones, malformed hands, extra limbs, merged bodies, crowd on stage, stage geography changes, logos, text, subtitles, watermark, unsafe pyrotechnics, heavy smoke covering faces, lip-sync mismatch, camera flicker, silent sections or music discontinuity.

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