PROMPT RECORD图像记录

以图片 #1 作为男人、狗狗以及整体美术方向的唯一视觉参考。保留男人极度瘦高的剪影、苍白狭长的脸庞、凌乱的黑色头发、黑色外套以及笨拙而忧郁的肢体语言。保留那只小黑狗，它毛发蓬乱，拥有比例过大的...

Seedance 2.5 aimikoda Thu Sep 10 12:14:38 +0000 2026

Use Image #1 as the sole visual reference for the man, dog and overall art direction. Preserve the man's extremely tall thin silhouette, pale elongated face, messy black hair, black coat and awkward melancholic body language. Preserve the small black scruffy dog with oversized white eyes. Recreate every location in the same handmade monochrome storybook style: rough black ink and charcoal lines, scratched graphite textures, gray grain, imperfect hand-drawn architecture, tiny white highlights and a very restrained dusty pink glow near practical lights. Everything should feel lonely, slightly surreal and quietly darkly comic. No photorealism, no polished 3D, no bright colors.

30-second cinematic short with clear cuts and continuous character identity.

0:00-0:04
Night. The man walks his dog through a nearly empty city street.
Rapid sequence of three connected angles:
1. Wide side-tracking shot, their thin silhouettes moving past towering crooked apartment blocks.
2. Very low front three-quarter angle at the dog's height, the dog leading while the man's long legs stride behind it.
3. Over the man's shoulder as they approach a parked car beneath a weak streetlight.
Sparse traffic, distant windows, drifting atmospheric grain.

0:04-0:07
Extreme close-up of a handwritten note tucked beneath the car's windshield wiper. The handwriting must clearly read:
“Call Me 08881212121”
with a small hand-drawn heart beside it.
The camera gently widens. The man hesitates, takes the note and slips it into his coat pocket. The dog waits beside him, watching.

0:07-0:10
Medium-wide shot from the sidewalk. The car door is open. The dog jumps naturally into the car first. The man follows, folds his unusually tall body awkwardly into the driver's seat and closes the door.

0:10-0:11
Distant exterior shot. The small car travels through the dark street and stops outside the man's modest home. Keep this transition very brief.

0:11-0:13
Static kitchen composition. Warm dim household light within the same monochrome hand-drawn aesthetic. The man prepares a simple meal at the stove. The dog remains close to his feet. Quiet domestic sounds.

0:13-0:15
Camera at dining-table height. The man eats alone. The opened note lies beside his plate, still readable. He glances toward it. His fork stops suspended halfway to his mouth for a brief beat.

0:15-0:17
The note remains sharp in the foreground in exactly the same position. In soft background focus, the man washes dishes at the sink. Without turning his body, his eyes drift back toward the note on the table.

0:17-0:19
Side view of the bedroom. He places the note on the bedside table, lies down and closes his eyes. The dog curls up at the foot of the bed. Hold the lonely composition.

0:19-0:21
Match cut to the exact same framing the next morning. Cold gray daylight replaces the night lighting. His eyes open. The note is still untouched on the bedside table.

0:21-0:24
Close over-the-shoulder shot. He picks up his phone, repeatedly checks the handwritten note and carefully enters:
08881212121
He presses CALL. Make the dialing action visually clear and readable without adding subtitles or interface overlays beyond the necessary phone digits.

0:24-0:30
Cut to a fixed close-up of his face. Hold on the same composition for the entire ending.
A faint trace of nervous anticipation appears in his expression.

ONE audible phone ring.

Click. Connection tone.

All background music immediately stops.

An unseen cheerful automated female voice says clearly in English:
“Welcome to the right place to find the love of your dreams. Welcome to our matchmaking service.”

The woman is never shown.

As the message plays, the man's tiny hopeful expression slowly disappears into blank disappointment. Do not exaggerate the reaction. Let the comedy come from his stillness and the contrast between the cheerful automated voice and his face.

Cut abruptly to black.

AUDIO:
Sparse, fragile piano through the city and home scenes, mixed with distant city hum, footsteps, dog movement, car sounds, stove sounds, dishes and quiet room tone. Keep the soundscape intimate and minimal. The piano stops completely the instant the phone connection begins. One ring only, then connection click and the automated woman's voice.

No subtitles. No captions. No narrator. No visible woman. No additional dialogue. Maintain the exact same man and dog throughout. Preserve the rough, imperfect, melancholic hand-drawn visual language.

以图片 #1 作为男人、狗狗以及整体美术方向的唯一视觉参考。保留男人极度瘦高的剪影、苍白狭长的脸庞、凌乱的黑色头发、黑色外套以及笨拙而忧郁的肢体语言。保留那只小黑狗，它毛发蓬乱，拥有比例过大的白色眼睛。所有场景均以同样的手绘黑白绘本风格重新创作：粗犷的黑色墨水与炭笔线条、刮擦的石墨纹理、灰色颗粒感、不完美的手绘建筑、微小的白色高光，以及非常克制的、靠近实用光源处一抹淡淡的尘粉色光晕。整体氛围应孤独、略带超现实感，并在安静中透出一点黑色幽默。禁止照片级写实，禁止精致的3D渲染，禁止使用鲜艳的颜色。 30秒电影感短片,剪辑清晰,角色形象全程保持一致。 0:00-0:04 夜晚。男人牵着他的狗穿过一条几乎空无一人的城市街道。 三个相互衔接的快速连续镜头： 1. 宽阔的侧向跟拍镜头，他们瘦长的剪影从高耸歪斜的公寓楼前走...

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中文说明

以图片 #1 作为男人、狗狗以及整体美术方向的唯一视觉参考。保留男人极度瘦高的剪影、苍白狭长的脸庞、凌乱的黑色头发、黑色外套以及笨拙而忧郁的肢体语言。保留那只小黑狗，它毛发蓬乱，拥有比例过大的白色眼睛。所有场景均以同样的手绘黑白绘本风格重新创作：粗犷的黑色墨水与炭笔线条、刮擦的石墨纹理、灰色颗粒感、不完美的手绘建筑、微小的白色高光，以及非常克制的、靠近实用光源处一抹淡淡的尘粉色光晕。整体氛围应孤独、略带超现实感，并在安静中透出一点黑色幽默。禁止照片级写实，禁止精致的3D渲染，禁止使用鲜艳的颜色。 30秒电影感短片,剪辑清晰,角色形象全程保持一致。 0:00-0:04 夜晚。男人牵着他的狗穿过一条几乎空无一人的城市街道。三个相互衔接的快速连续镜头： 1. 宽阔的侧向跟拍镜头，他们瘦长的剪影从高耸歪斜的公寓楼前走...

原始 Prompt

Use Image #1 as the sole visual reference for the man, dog and overall art direction. Preserve the man's extremely tall thin silhouette, pale elongated face, messy black hair, black coat and awkward melancholic body language. Preserve the small black scruffy dog with oversized white eyes. Recreate every location in the same handmade monochrome storybook style: rough black ink and charcoal lines, scratched graphite textures, gray grain, imperfect hand-drawn architecture, tiny white highlights and a very restrained dusty pink glow near practical lights. Everything should feel lonely, slightly surreal and quietly darkly comic. No photorealism, no polished 3D, no bright colors.

30-second cinematic short with clear cuts and continuous character identity.

0:00-0:04
Night. The man walks his dog through a nearly empty city street.
Rapid sequence of three connected angles:
1. Wide side-tracking shot, their thin silhouettes moving past towering crooked apartment blocks.
2. Very low front three-quarter angle at the dog's height, the dog leading while the man's long legs stride behind it.
3. Over the man's shoulder as they approach a parked car beneath a weak streetlight.
Sparse traffic, distant windows, drifting atmospheric grain.

0:04-0:07
Extreme close-up of a handwritten note tucked beneath the car's windshield wiper. The handwriting must clearly read:
“Call Me 08881212121”
with a small hand-drawn heart beside it.
The camera gently widens. The man hesitates, takes the note and slips it into his coat pocket. The dog waits beside him, watching.

0:07-0:10
Medium-wide shot from the sidewalk. The car door is open. The dog jumps naturally into the car first. The man follows, folds his unusually tall body awkwardly into the driver's seat and closes the door.

0:10-0:11
Distant exterior shot. The small car travels through the dark street and stops outside the man's modest home. Keep this transition very brief.

0:11-0:13
Static kitchen composition. Warm dim household light within the same monochrome hand-drawn aesthetic. The man prepares a simple meal at the stove. The dog remains close to his feet. Quiet domestic sounds.

0:13-0:15
Camera at dining-table height. The man eats alone. The opened note lies beside his plate, still readable. He glances toward it. His fork stops suspended halfway to his mouth for a brief beat.

0:15-0:17
The note remains sharp in the foreground in exactly the same position. In soft background focus, the man washes dishes at the sink. Without turning his body, his eyes drift back toward the note on the table.

0:17-0:19
Side view of the bedroom. He places the note on the bedside table, lies down and closes his eyes. The dog curls up at the foot of the bed. Hold the lonely composition.

0:19-0:21
Match cut to the exact same framing the next morning. Cold gray daylight replaces the night lighting. His eyes open. The note is still untouched on the bedside table.

0:21-0:24
Close over-the-shoulder shot. He picks up his phone, repeatedly checks the handwritten note and carefully enters:
08881212121
He presses CALL. Make the dialing action visually clear and readable without adding subtitles or interface overlays beyond the necessary phone digits.

0:24-0:30
Cut to a fixed close-up of his face. Hold on the same composition for the entire ending.
A faint trace of nervous anticipation appears in his expression.

ONE audible phone ring.

Click. Connection tone.

All background music immediately stops.

An unseen cheerful automated female voice says clearly in English:
“Welcome to the right place to find the love of your dreams. Welcome to our matchmaking service.”

The woman is never shown.

As the message plays, the man's tiny hopeful expression slowly disappears into blank disappointment. Do not exaggerate the reaction. Let the comedy come from his stillness and the contrast between the cheerful automated voice and his face.

Cut abruptly to black.

AUDIO:
Sparse, fragile piano through the city and home scenes, mixed with distant city hum, footsteps, dog movement, car sounds, stove sounds, dishes and quiet room tone. Keep the soundscape intimate and minimal. The piano stops completely the instant the phone connection begins. One ring only, then connection click and the automated woman's voice.

No subtitles. No captions. No narrator. No visible woman. No additional dialogue. Maintain the exact same man and dog throughout. Preserve the rough, imperfect, melancholic hand-drawn visual language.

低饱和仰视三分法广角远景忧郁街道动物角色