视频——一个连续的镜头：一只乌鸦飞过黑暗的小巷，用翅膀遮住镜头，然后乌鸦女孩登场场景设定一个真实的、狭窄的古城小巷，雨后的夜晚。镜头正对着小巷深处。一只乌鸦从巷子远端飞向镜头。当它抵达镜头...

AI 图像 atlas_remake Sun Sep 20 10:54:19 +0000 2026

VIDEO — ONE CONTINUOUS CINEMATIC SHOT: A RAVEN FLIES THROUGH A DARK ALLEY, COVERS THE LENS WITH ITS WINGS, AND REVEALS THE RAVEN GIRL

SCENE CONTEXT
A real, narrow old-city alley at night after rain. The camera faces straight down the alley. A single raven flies from the distant end toward the camera. As it reaches the lens, it spreads both wings until real black feathers completely cover the frame. The shot passes through this natural feather occlusion and reveals the same alley with the raven girl now standing in the center. The same raven finishes by settling naturally on her shoulder.

FORMAT
One continuous shot, 15 seconds, 16:9 horizontal, 720p super-resolution, full live-action photorealism. Prestige gothic thriller, restrained low-saturation color grade, natural 35mm film texture. Diegetic sound only. No captions, no subtitles, no music, no logos, no watermark.

ACTIVE REFERENCES

@Image1 — RAVEN IDENTITY ONLY.
Use the mature black raven's exact body proportions, heavy curved beak, dark intelligent eyes, realistic black feather structure, wedge-shaped tail, feet, and the small silver-gray shoulder feather as its continuity mark.
TAKE NOTHING ELSE FROM @Image1: not the white background, not the three-view layout, not duplicated ravens, and not the studio lighting. All three views depict one and the same raven. Exactly one raven exists in the video.

@Image2 — RAVEN GIRL IDENTITY AND WARDROBE ONLY.
The close portrait and full-body view show one and the same adult woman. Preserve her established face, gray-blue eyes, long blue-black hair, black cropped wool jacket, dark high-neck blouse and scarf, wide black trousers, worn black boots, and restrained feather details.
TAKE NOTHING ELSE FROM @Image2: not the gray studio background, not the split-screen layout, not duplicated women, not the studio pose, and not the flat studio lighting. Exactly one woman exists in the video.

@Image3 — LOCATION, LIGHTING AND COLOR ONLY.
Use the exact narrow alley structure, damp cobblestones, worn brick and plaster walls, drainpipes, recessed doors, deep layered darkness, one weak amber wall lamp, cold blue-gray night ambience, and very low saturation.
TAKE NOTHING ELSE FROM @Image3: no frozen stillness, no extra architecture, no additional lamps, no brighter exposure, and no glossy mirror-like pavement.

@Video1 — MOTION RHYTHM AND OCCLUSION TRANSITION ONLY.
Use only its overall shot progression: an empty corridor-like space, a dark flying creature approaching the lens, wings filling the frame, and a person revealed after the full-frame occlusion.
TAKE NOTHING ELSE FROM @Video1: no butterfly, no original woman, no hotel corridor, no player controls, no interface, no text, and no exact color grade.

THE EIGHT MOST IMPORTANT RULES

RULE ONE — ONE UNBROKEN FORWARD CAMERA MOVE.
The camera performs one slow, restrained push forward along the alley axis from first frame to last. No orbit, no sideways tracking, no crane, no whip-pan, no sudden zoom, no reverse movement, and no cut. A faint controlled handheld breathing is acceptable, but there is no visible shake.
IF THE CAMERA CUTS, ORBITS, MOVES SIDEWAYS, OR REVERSES DIRECTION, THE GENERATION IS WRONG.

RULE TWO — EXACTLY ONE RAVEN AND ONE WOMAN.
Only one raven flies toward camera. Only one woman appears after the occlusion. The reference sheet layouts must never be interpreted as multiple birds or multiple women.
IF A SECOND RAVEN, SECOND WOMAN, DUPLICATED BODY, OR BACKGROUND PERSON APPEARS, THE GENERATION IS WRONG.

RULE THREE — THE RAVEN FLIES WITH REAL BIRD PHYSICS.
It approaches from the far center of the alley with believable weight, wing joints, downstroke and upstroke, air resistance, body inertia, and natural motion blur. It never floats, glides like a paper cutout, changes size suddenly, or flies backward.
IF THE FLIGHT LOOKS WEIGHTLESS, RUBBERY, MECHANICAL, OR LIKE A CGI GAME CREATURE, THE GENERATION IS WRONG.

RULE FOUR — BOTH WINGS MUST COMPLETELY COVER THE LENS.
Near the camera, the raven spreads both wings symmetrically. Layered primary feathers move physically close to the lens until no alley remains visible. The frame becomes a brief, textured black feather occlusion—not smoke, liquid, particles, shadow fog, or a digital dissolve.
IF THE WINGS DO NOT COVER 100% OF THE FRAME, OR THE TRANSITION USES MAGIC EFFECTS INSTEAD OF REAL FEATHERS, THE GENERATION IS WRONG.

RULE FIVE — THE TRANSFORMATION HAPPENS ONLY INSIDE THE OCCLUSION.
Do not show a half-bird half-human body, stretching limbs, melting anatomy, growing feathers, smoke morphing, particles, or a visible body transformation. While the lens is fully covered by feathers, the state changes. As the feathers clear, the raven girl is already fully human and standing in the same alley.
IF A HYBRID BODY OR VISIBLE MORPHING PROCESS APPEARS, THE GENERATION IS WRONG.

RULE SIX — THE GIRL MUST MATCH @Image2.
After the reveal, preserve her established face, blue-black hair, black cropped jacket, dark blouse and scarf, wide black trousers, boots, body proportions, and restrained expression. She stands calmly and naturally, breathing slightly, looking just past the camera. No glamour posing, no runway walk, no exaggerated expression, no beauty-filter skin.
IF HER FACE, HAIR COLOR, CLOTHING, OR BODY PROPORTIONS CHANGE, THE GENERATION IS WRONG.

RULE SEVEN — THE SAME RAVEN ENDS ON HER SHOULDER.
After the reveal, the same raven from @Image1 completes one short natural landing onto her shoulder. Its feet visibly make contact with the coat, the fabric depresses slightly under its weight, the wings fold, and it balances with a small body adjustment. It does not merge into her body and she does not grow wings.
IF THE RAVEN DISAPPEARS, MULTIPLIES, MERGES WITH HER, HOVERS, OR FAILS TO MAKE PHYSICAL CONTACT, THE GENERATION IS WRONG.

RULE EIGHT — EVERYTHING MUST LOOK PRACTICALLY FILMED.
Real skin pores, natural facial asymmetry, real wet stone, porous brick, worn wool, physically layered feathers, restrained motion blur, subtle film grain, gentle halation around the single lamp, and soft highlight rolloff. The pavement is damp but mostly matte, with only narrow broken reflections.
IF THE IMAGE LOOKS PLASTIC, OILY, OVER-SHARPENED, HDR, LIKE A GAME CUTSCENE, OR LIKE A GLOSSY AI RENDER, THE GENERATION IS WRONG.

CAMERA AND COMPOSITION
Eye-level camera at roughly 1.6 meters, looking down the alley with a 35mm vintage anamorphic feeling. Start in a wide establishing composition with the empty alley readable. Maintain one-point depth without perfect artificial symmetry. The slow push stays centered on the raven's flight path. During the final reveal, settle into a three-quarter to full-body view of the woman, centered slightly off-axis with the alley still visible around her. No Dutch angle. No extreme shallow focus: keep the raven readable in flight and the woman plus nearby alley texture legible after the reveal.

ACTION TIMING — 15 SECONDS

0.0–2.5s — HELD ALLEY ESTABLISHMENT
The real alley is empty. The camera begins a very slow forward push. The weak amber lamp and cold ambient night light remain constant. Small damp reflections sit still on the stones. A tiny raven silhouette becomes visible at the distant bend.
END STATE: one raven is clearly identifiable at the far center; no person is present.

2.5–6.5s — RAVEN APPROACH
The raven flies toward camera along the alley centerline. Its wingbeats have a measured rhythm and real weight. The bird grows gradually in frame through physical approach, never by digital scaling. The camera continues the same slow push.
END STATE: the raven reaches close middle distance, centered and facing camera; the alley, wall lamp and exposure remain unchanged.

6.5–9.0s — FULL-FRAME WING OCCLUSION
The raven reaches the lens and spreads both wings. Primary feathers pass close to camera from both sides and completely block every part of the alley. Hold a brief tactile darkness made only of layered black feathers and realistic motion blur.
END STATE: 100% of the frame is naturally covered by black raven feathers; no environment, person, smoke, particles or light burst remains visible.

9.0–12.0s — HUMAN REVEAL
The close feathers withdraw and pass out of the immediate foreground. In the unchanged alley, the raven girl from @Image2 is already standing where the flight path ended. She is fully human, dressed exactly as referenced, with no wings or bird anatomy. The camera completes its slow push and settles. She breathes once and fixes a controlled, wary gaze just past camera.
END STATE: the woman is clearly visible in a stable three-quarter to full-body composition; she is the only person; the same alley and light direction remain continuous.

12.0–15.0s — RAVEN LANDING AND FINAL HOLD
The same raven enters with one short controlled wingbeat and lands on her shoulder. Feet contact the coat, the shoulder and fabric react subtly, the wings fold, and the bird steadies. The woman makes only a slight physical adjustment under its weight and remains composed. Hold the final image long enough to read both identities.
END STATE: exactly one woman stands still in the alley; exactly one raven rests on her shoulder with wings folded; both faces are readable; no other subject enters.

PHYSICS
The raven's body follows its wingbeats with subtle vertical oscillation and forward inertia. Primary feathers separate under air load and overlap again during recovery. The full-frame occlusion is caused by proximity to the lens, not by the raven becoming gigantic. Landing includes visible foot contact, weight transfer, a tiny coat compression, one balancing movement, then stillness. Hair and coat move only from displaced air and the bird's landing. Rainwater does not ripple without cause.

LIGHTING AND COLOR
Low-key night cinematography. Most foreground walls remain in rich layered near-black shadow with faint brick and plaster texture. One weak dirty-amber practical wall lamp provides the only warm highlight; cold blue-gray ambient light separates the raven and the woman's dark silhouette from the alley. Very low saturation. Constant exposure and white balance. No flicker, no brightening during transformation, no magical rim light, no neon, no strong teal-orange split.

AUDIO
Diegetic only: faint distant city night tone, damp alley air, realistic approaching wingbeats, one low rush of air as feathers pass the lens, then a quiet claw-and-wool contact sound at landing. No dialogue, no voice-over, no score, no background music.

COUNT
Exactly one alley, one raven, one woman, one continuous forward camera move, one complete feather occlusion, one shoulder landing, zero cuts, zero other people, zero additional birds, zero text overlays.

BANS
No butterfly. No hybrid bird-woman anatomy. No wings attached to the woman. No visible morphing body. No smoke transformation, liquid transformation, particle burst, magical glow, black ink, digital dissolve, flash transition, or teleportation effect. No extra raven, extra woman, extra limbs, deformed hands, duplicated face, or changing wardrobe. No white reference background, no gray studio background, no split-screen layout. No bright daylight, neon, glossy pavement, oily highlights, plastic skin, wax face, heavy beauty retouching, oversaturation, aggressive teal-orange grade, excessive bokeh, sharpened HDR, 3D-render look, game-cinematic look, anime, illustration, subtitles, captions, logos, watermark, music, player interface, phone or camera visible in frame.

FINAL HARD LOCKS
The lens must be completely covered by real raven wings before the woman appears. The transformation occurs only inside that full-frame feather occlusion. The final frame contains exactly the @Image2 woman and the same @Image1 raven resting physically on her shoulder in the unchanged @Image3 alley.

视频——一个连续的镜头：一只乌鸦飞过黑暗的小巷，用翅膀遮住镜头，然后乌鸦女孩登场 场景设定 一个真实的、狭窄的古城小巷，雨后的夜晚。镜头正对着小巷深处。一只乌鸦从巷子远端飞向镜头。当它抵达镜头时，张开双翼，直到真实的黑色羽毛完全覆盖画面。镜头穿过这种自然的羽毛遮挡，在同一条小巷中揭示乌鸦女孩现在正站在中央。同一只乌鸦最后自然地落在她的肩膀上收尾。 格式 一个连续镜头，15秒，16:9横向，720p超分辨率，全实景真人照片级真实感。高级哥特惊悚风格，克制的低饱和度调色，自然35毫米胶片质感。仅使用场景内声音。无字幕、无说明文字、无音乐、无标志、无水印。 有效参考 @Image1 — 仅乌鸦身份。 使用成熟黑乌鸦的精确身体比例、粗重的弯喙、深色灵动的眼睛、逼真的黑色羽毛结构、楔形尾羽、脚爪，以及小片银灰色肩羽作为其...

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中文说明

视频——一个连续的镜头：一只乌鸦飞过黑暗的小巷，用翅膀遮住镜头，然后乌鸦女孩登场场景设定一个真实的、狭窄的古城小巷，雨后的夜晚。镜头正对着小巷深处。一只乌鸦从巷子远端飞向镜头。当它抵达镜头时，张开双翼，直到真实的黑色羽毛完全覆盖画面。镜头穿过这种自然的羽毛遮挡，在同一条小巷中揭示乌鸦女孩现在正站在中央。同一只乌鸦最后自然地落在她的肩膀上收尾。格式一个连续镜头，15秒，16:9横向，720p超分辨率，全实景真人照片级真实感。高级哥特惊悚风格，克制的低饱和度调色，自然35毫米胶片质感。仅使用场景内声音。无字幕、无说明文字、无音乐、无标志、无水印。有效参考 @Image1 — 仅乌鸦身份。使用成熟黑乌鸦的精确身体比例、粗重的弯喙、深色灵动的眼睛、逼真的黑色羽毛结构、楔形尾羽、脚爪，以及小片银灰色肩羽作为其...

原始 Prompt

VIDEO — ONE CONTINUOUS CINEMATIC SHOT: A RAVEN FLIES THROUGH A DARK ALLEY, COVERS THE LENS WITH ITS WINGS, AND REVEALS THE RAVEN GIRL

SCENE CONTEXT
A real, narrow old-city alley at night after rain. The camera faces straight down the alley. A single raven flies from the distant end toward the camera. As it reaches the lens, it spreads both wings until real black feathers completely cover the frame. The shot passes through this natural feather occlusion and reveals the same alley with the raven girl now standing in the center. The same raven finishes by settling naturally on her shoulder.

FORMAT
One continuous shot, 15 seconds, 16:9 horizontal, 720p super-resolution, full live-action photorealism. Prestige gothic thriller, restrained low-saturation color grade, natural 35mm film texture. Diegetic sound only. No captions, no subtitles, no music, no logos, no watermark.

ACTIVE REFERENCES

@Image1 — RAVEN IDENTITY ONLY.
Use the mature black raven's exact body proportions, heavy curved beak, dark intelligent eyes, realistic black feather structure, wedge-shaped tail, feet, and the small silver-gray shoulder feather as its continuity mark.
TAKE NOTHING ELSE FROM @Image1: not the white background, not the three-view layout, not duplicated ravens, and not the studio lighting. All three views depict one and the same raven. Exactly one raven exists in the video.

@Image2 — RAVEN GIRL IDENTITY AND WARDROBE ONLY.
The close portrait and full-body view show one and the same adult woman. Preserve her established face, gray-blue eyes, long blue-black hair, black cropped wool jacket, dark high-neck blouse and scarf, wide black trousers, worn black boots, and restrained feather details.
TAKE NOTHING ELSE FROM @Image2: not the gray studio background, not the split-screen layout, not duplicated women, not the studio pose, and not the flat studio lighting. Exactly one woman exists in the video.

@Image3 — LOCATION, LIGHTING AND COLOR ONLY.
Use the exact narrow alley structure, damp cobblestones, worn brick and plaster walls, drainpipes, recessed doors, deep layered darkness, one weak amber wall lamp, cold blue-gray night ambience, and very low saturation.
TAKE NOTHING ELSE FROM @Image3: no frozen stillness, no extra architecture, no additional lamps, no brighter exposure, and no glossy mirror-like pavement.

@Video1 — MOTION RHYTHM AND OCCLUSION TRANSITION ONLY.
Use only its overall shot progression: an empty corridor-like space, a dark flying creature approaching the lens, wings filling the frame, and a person revealed after the full-frame occlusion.
TAKE NOTHING ELSE FROM @Video1: no butterfly, no original woman, no hotel corridor, no player controls, no interface, no text, and no exact color grade.

THE EIGHT MOST IMPORTANT RULES

RULE ONE — ONE UNBROKEN FORWARD CAMERA MOVE.
The camera performs one slow, restrained push forward along the alley axis from first frame to last. No orbit, no sideways tracking, no crane, no whip-pan, no sudden zoom, no reverse movement, and no cut. A faint controlled handheld breathing is acceptable, but there is no visible shake.
IF THE CAMERA CUTS, ORBITS, MOVES SIDEWAYS, OR REVERSES DIRECTION, THE GENERATION IS WRONG.

RULE TWO — EXACTLY ONE RAVEN AND ONE WOMAN.
Only one raven flies toward camera. Only one woman appears after the occlusion. The reference sheet layouts must never be interpreted as multiple birds or multiple women.
IF A SECOND RAVEN, SECOND WOMAN, DUPLICATED BODY, OR BACKGROUND PERSON APPEARS, THE GENERATION IS WRONG.

RULE THREE — THE RAVEN FLIES WITH REAL BIRD PHYSICS.
It approaches from the far center of the alley with believable weight, wing joints, downstroke and upstroke, air resistance, body inertia, and natural motion blur. It never floats, glides like a paper cutout, changes size suddenly, or flies backward.
IF THE FLIGHT LOOKS WEIGHTLESS, RUBBERY, MECHANICAL, OR LIKE A CGI GAME CREATURE, THE GENERATION IS WRONG.

RULE FOUR — BOTH WINGS MUST COMPLETELY COVER THE LENS.
Near the camera, the raven spreads both wings symmetrically. Layered primary feathers move physically close to the lens until no alley remains visible. The frame becomes a brief, textured black feather occlusion—not smoke, liquid, particles, shadow fog, or a digital dissolve.
IF THE WINGS DO NOT COVER 100% OF THE FRAME, OR THE TRANSITION USES MAGIC EFFECTS INSTEAD OF REAL FEATHERS, THE GENERATION IS WRONG.

RULE FIVE — THE TRANSFORMATION HAPPENS ONLY INSIDE THE OCCLUSION.
Do not show a half-bird half-human body, stretching limbs, melting anatomy, growing feathers, smoke morphing, particles, or a visible body transformation. While the lens is fully covered by feathers, the state changes. As the feathers clear, the raven girl is already fully human and standing in the same alley.
IF A HYBRID BODY OR VISIBLE MORPHING PROCESS APPEARS, THE GENERATION IS WRONG.

RULE SIX — THE GIRL MUST MATCH @Image2.
After the reveal, preserve her established face, blue-black hair, black cropped jacket, dark blouse and scarf, wide black trousers, boots, body proportions, and restrained expression. She stands calmly and naturally, breathing slightly, looking just past the camera. No glamour posing, no runway walk, no exaggerated expression, no beauty-filter skin.
IF HER FACE, HAIR COLOR, CLOTHING, OR BODY PROPORTIONS CHANGE, THE GENERATION IS WRONG.

RULE SEVEN — THE SAME RAVEN ENDS ON HER SHOULDER.
After the reveal, the same raven from @Image1 completes one short natural landing onto her shoulder. Its feet visibly make contact with the coat, the fabric depresses slightly under its weight, the wings fold, and it balances with a small body adjustment. It does not merge into her body and she does not grow wings.
IF THE RAVEN DISAPPEARS, MULTIPLIES, MERGES WITH HER, HOVERS, OR FAILS TO MAKE PHYSICAL CONTACT, THE GENERATION IS WRONG.

RULE EIGHT — EVERYTHING MUST LOOK PRACTICALLY FILMED.
Real skin pores, natural facial asymmetry, real wet stone, porous brick, worn wool, physically layered feathers, restrained motion blur, subtle film grain, gentle halation around the single lamp, and soft highlight rolloff. The pavement is damp but mostly matte, with only narrow broken reflections.
IF THE IMAGE LOOKS PLASTIC, OILY, OVER-SHARPENED, HDR, LIKE A GAME CUTSCENE, OR LIKE A GLOSSY AI RENDER, THE GENERATION IS WRONG.

CAMERA AND COMPOSITION
Eye-level camera at roughly 1.6 meters, looking down the alley with a 35mm vintage anamorphic feeling. Start in a wide establishing composition with the empty alley readable. Maintain one-point depth without perfect artificial symmetry. The slow push stays centered on the raven's flight path. During the final reveal, settle into a three-quarter to full-body view of the woman, centered slightly off-axis with the alley still visible around her. No Dutch angle. No extreme shallow focus: keep the raven readable in flight and the woman plus nearby alley texture legible after the reveal.

ACTION TIMING — 15 SECONDS

0.0–2.5s — HELD ALLEY ESTABLISHMENT
The real alley is empty. The camera begins a very slow forward push. The weak amber lamp and cold ambient night light remain constant. Small damp reflections sit still on the stones. A tiny raven silhouette becomes visible at the distant bend.
END STATE: one raven is clearly identifiable at the far center; no person is present.

2.5–6.5s — RAVEN APPROACH
The raven flies toward camera along the alley centerline. Its wingbeats have a measured rhythm and real weight. The bird grows gradually in frame through physical approach, never by digital scaling. The camera continues the same slow push.
END STATE: the raven reaches close middle distance, centered and facing camera; the alley, wall lamp and exposure remain unchanged.

6.5–9.0s — FULL-FRAME WING OCCLUSION
The raven reaches the lens and spreads both wings. Primary feathers pass close to camera from both sides and completely block every part of the alley. Hold a brief tactile darkness made only of layered black feathers and realistic motion blur.
END STATE: 100% of the frame is naturally covered by black raven feathers; no environment, person, smoke, particles or light burst remains visible.

9.0–12.0s — HUMAN REVEAL
The close feathers withdraw and pass out of the immediate foreground. In the unchanged alley, the raven girl from @Image2 is already standing where the flight path ended. She is fully human, dressed exactly as referenced, with no wings or bird anatomy. The camera completes its slow push and settles. She breathes once and fixes a controlled, wary gaze just past camera.
END STATE: the woman is clearly visible in a stable three-quarter to full-body composition; she is the only person; the same alley and light direction remain continuous.

12.0–15.0s — RAVEN LANDING AND FINAL HOLD
The same raven enters with one short controlled wingbeat and lands on her shoulder. Feet contact the coat, the shoulder and fabric react subtly, the wings fold, and the bird steadies. The woman makes only a slight physical adjustment under its weight and remains composed. Hold the final image long enough to read both identities.
END STATE: exactly one woman stands still in the alley; exactly one raven rests on her shoulder with wings folded; both faces are readable; no other subject enters.

PHYSICS
The raven's body follows its wingbeats with subtle vertical oscillation and forward inertia. Primary feathers separate under air load and overlap again during recovery. The full-frame occlusion is caused by proximity to the lens, not by the raven becoming gigantic. Landing includes visible foot contact, weight transfer, a tiny coat compression, one balancing movement, then stillness. Hair and coat move only from displaced air and the bird's landing. Rainwater does not ripple without cause.

LIGHTING AND COLOR
Low-key night cinematography. Most foreground walls remain in rich layered near-black shadow with faint brick and plaster texture. One weak dirty-amber practical wall lamp provides the only warm highlight; cold blue-gray ambient light separates the raven and the woman's dark silhouette from the alley. Very low saturation. Constant exposure and white balance. No flicker, no brightening during transformation, no magical rim light, no neon, no strong teal-orange split.

AUDIO
Diegetic only: faint distant city night tone, damp alley air, realistic approaching wingbeats, one low rush of air as feathers pass the lens, then a quiet claw-and-wool contact sound at landing. No dialogue, no voice-over, no score, no background music.

COUNT
Exactly one alley, one raven, one woman, one continuous forward camera move, one complete feather occlusion, one shoulder landing, zero cuts, zero other people, zero additional birds, zero text overlays.

BANS
No butterfly. No hybrid bird-woman anatomy. No wings attached to the woman. No visible morphing body. No smoke transformation, liquid transformation, particle burst, magical glow, black ink, digital dissolve, flash transition, or teleportation effect. No extra raven, extra woman, extra limbs, deformed hands, duplicated face, or changing wardrobe. No white reference background, no gray studio background, no split-screen layout. No bright daylight, neon, glossy pavement, oily highlights, plastic skin, wax face, heavy beauty retouching, oversaturation, aggressive teal-orange grade, excessive bokeh, sharpened HDR, 3D-render look, game-cinematic look, anime, illustration, subtitles, captions, logos, watermark, music, player interface, phone or camera visible in frame.

FINAL HARD LOCKS
The lens must be completely covered by real raven wings before the woman appears. The transformation occurs only inside that full-frame feather occlusion. The final frame contains exactly the @Image2 woman and the same @Image1 raven resting physically on her shoulder in the unchanged @Image3 alley.

暗调氛围平视长发低调光小巷动物角色城市或街道

视频——一个连续的镜头：一只乌鸦飞过黑暗的小巷，用翅膀遮住镜头，然后乌鸦女孩登场 场景设定 一个真实的、狭窄的古城小巷，雨后的夜晚。镜头正对着小巷深处。一只乌鸦从巷子远端飞向镜头。当它抵达镜头...

中文说明

原始 Prompt

视频——一个连续的镜头：一只乌鸦飞过黑暗的小巷，用翅膀遮住镜头，然后乌鸦女孩登场场景设定一个真实的、狭窄的古城小巷，雨后的夜晚。镜头正对着小巷深处。一只乌鸦从巷子远端飞向镜头。当它抵达镜头...